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ABOUT
A BOY
REVIEWED
BY CHARITY BISHOP
Our
rating: 3 out of 5 Because
of: language, sensuality
Rated:
Although a definite improvement over some of the studio's prior
projects like
American Pie, About a Boy still has a cold, dead, and
crude heart that believes the general public's desire is to love a
womanizing deadbeat like this film's 'hero,' Will. Living life as simply and pleasurably as he can (which includes
always looking 'hot,' and hitting up every single woman on the
street for date and evening sex), Will has a real problem. He's
shallow. He's not as much of a chick magnet as he used to be. And...
he has a plan. Realizing that divorced women with kids are somewhat easier to
manipulate, he decides to masquerade as a jilted husband and father
with a made-up toddler, all in the prospect of finding new ground.
He hooks up with a pretty young woman at the single parents'
meetings, but their one date falls flat when she insists on bringing
her best friend's kid Marcus along. The youngster is too smart
for his own good, but sadly in need of a good influence.
Unfortunately, Will isn't the right influence on his life and the
film takes a hair-raising turn when they return home to find Marcus'
mom unconscious from an attempted suicide.
Marcus likes Will and attempts to set her up with his mom, whom Will
befriends first superficially, but then more deeply when he realizes
that she truly needs help. In a humorous twist, Marcus learns that
Will is only pretending to be married and a father, and uses this
against the 'would-be dad' to gain his own advantage. In the
meantime, Will is beginning to fall for Rachel, a single mom in
their group. Not as a future sexual prospect or a one-night stand.
As a real person. The only problem is that she believes Marcus is
Will's son... and he can't fess up.
Although the film has a good heart and the selfish Will does improve
with time, About a Boy is a rocky, often cynical and
uncomfortable ride through what could more accurately be called About a GIRL.
Perhaps the story isn't really about Will at all, but more
accurately, about Marcus... and single mothers. Taking such an
offensive standpoint as looking at divorced and single mothers as
future sexual prospects doesn't do a great deal to endear Will to
the average viewer. Some, like myself, will be downright offended.
The film also flirts on the serious side with a manic-depressive mom
who is suicidal. The only bright spot in the film is the kid. Marcus has a crush on a
girl at school, and despite Will's interest in whether or not the
kid wants to get physical, he merely replies that he just wants to
talk with her. Nothing else is necessary. Surprised, Will waves it
off... but later comes to the same conclusion about Rachel. The kid
also pushes honesty in relationships and encourages Will to be
truthful with himself.
Will eventually sacrifices his own reputation
for the greater good, but this won't be enough redeeming content to
send many teens flocking to the theater. In fact, the good pales in
the evidence of the bad... sexual content and profane language. Violent content is limited, although bullies torment Marcus at
school. He also accidentally (but cruelly) kills a duck at the park
by beaning it with a loaf of bread. Language is the next biggest
problem, mounting in two f-words along with many British
alternatives that mean the same thing; abuse of Jesus, Christ, and
God's name is heavy, along with many minor profanities and
crudities, including a running gag that involves a song with 'ass'
in the title. The most alarming aspect of the hordes of disgusting
language is that most pop out of Marcus' mouth. This Boy needs
his mouth washed out with soap.
Next comes the sexual content, which is used more in dialogue than
anything else. Will is forever making sexually-oriented comments,
both in mouth and mind. He looks at a porn site (implied), talks
about his anatomy, and one of his girlfriends suggestively straddles
and kisses him. The worst moment of the film that should make all of
the women in the audience throw their popcorn at this lousy rat is
when he's asked to stand as godfather for a little girl. Callously he says that wouldn't be a good idea, since
when she eventually turns eighteen he will probably take her out, get her
drunk, and possibly sleep with her. What good lessons they have are awash
in disgusting content and sadly worldly views of love. About a
Boy isn't really about a boy at all... it's more a vision of
what our society has become. And it's a sad one.
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