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BOUNCE
REVIEWED
BY CHARITY BISHOP
Our
rating: 3 out of 5 Because
of: brief sexual content, strong abuse of deity,
profanity
Rated:
Since
Gwyneth Paltrow's award winning success with Shakespeare
in Love, she has turned to romantic comedy. Or so it claims to be. What
romance there is in Bounce, comedy is scant. Paired up with another Oscar
winner and former boyfriend (Ben Affleck), this drama is a mixture of
familiarity and sentiment with a touch of charisma on the side. There is
something about the film that gives it merit and acceptability and rises it to a
position formerly held by Meg Ryan and Tom Hanks in You've
Got Mail, despite the picture's glaring flaws. I was profoundly moved by
the film, and it's become a guilty pleasure.
Stranded
in the airport one snowy Christmas week after the closure of the biggest
business deal of his career, Buddy Amaral (Ben Affleck) shares a table in the airport bar with
two strangers... a charming businesswoman named Mimi (Natasha Henstridge) and Greg
Jaanello (Tony Goldwyn), a
failing scriptwriter whose play on Broadway has just closed in disappointment. Greg is eager to return to his family for the holidays but has been bumped from
the next flight due to the holiday overload of passengers. Buddy generously offers him his first-class ticket, insisting
that he should go home to Abby and the kids. His sacrifice is not that humbling,
as his intentions are to stay the night with Mimi in Chicago.
A
moment of mutual benefit turns into a life altering story of
tragedy when the plane goes down somewhere over Kansas,
and the 210 passengers on board are killed instantly. Greg's wife Abbey (Gwyneth
Paltrow) can't
understand why her husband was on that plane. Buddy fights inner-blame
for his newfound friend's death but refuses to take any responsibility for his
mistake. Turning to alcohol, his decline places his career in jeopardy and his
partner forces him into rehab. A
year later, Buddy realizes that the only way he can clear his conscience is to
approach Greg's widow and see that she is well cared for. Easier said than
done!
When the two
meet, he is unprepared for her childlike charm and enthusiasm. Guilt-ridden
about his past, he keeps the truth from Abby and tries to avoid her like the
black plague, but the young widow seems determined to break down his outer shell
and make him vulnerable. She's funny, she's compassionate, and he's falling in
love with her. This introduces one of the film's best and yet most
overlooked scenes when the two share dinner, and Abby does a favor
for a stranger. The woman never even knows... but Abby is just happy
to have helped. When Buddy's interest begins to take a more personal
turn, he begins a new chapter of his life that could end in heartbreak.
The
film's premise is a good one -- taking responsibility for your actions,
wagering carefully the choices you make in your life, and keeping truth present
in any relationship. Abby deals with personal issues herself. 'You know
what I thought about the night after he left?' she tells her aunt in
despair. 'I thought about whether or not I was glad Buddy didn't get
on that plane. I feel like if I am, then in some way I'm betraying Greg.'
Her feelings for her husband run deep and overflow in fond memories of a
sometimes troubled but overall wonderful marriage. She handles her kids with
encouragement and love but isn't above chastising them about attitude
problems.
Both
characters question God but the overall feeling is that He does exist and
sometimes bad things happen to good people.
It's the same feeling one get while
watching Return to Me and awaiting
the inevitable confession of inner guilt that could harm the other person. But
much like the earlier film, Bounce is not without its flaws, language and
sensuality being two present factors for concern. There are at least four
misuses of Jesus' name, one possible "Christ," two or three of
"God d-mn," and one f-word, along with a scattering of minor
profanities. It's
out of character and ironic that Abby would engage in a sexual relationship with
Buddy after only a few weeks together, particularly due to the fact that in the scene
proceeding it she is still mourning for her lost husband. Bounce's love
scene involves implied
nudity (nothing explicit) and tender kissing. The scene is about a minute and a
half long and sours the milk for an otherwise praiseworthy film. Other cautions
involve the fact that Buddy is a notorious playboy and spends the night with Mimi in her
hotel room, waking up to find the news reporting on the recent plane crash. His
under-assistant is also a homosexual and mentions it once or twice.
Abby's shirts sometimes reveal that she's not wearing a bra.
In
conclusion, Bounce is not for everyone. The film has a good heart and
good intentions but shoots itself in the foot by incorporating profane language
and casual intimacy into the blend. The good is there, like a rose waiting to
bloom in the brush, but the viewers must decide for themselves whether it's
worth crossing the mire for.
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