Firefly, The Complete Series (2002)

 

Our rating: 2 out of 5

Rated: TVMA


reviewed by Charity Bishop
 

Being both a sci-fi fan and someone who enjoys the projects of Joss Whedon, it was inevitable I should rent Firefly. Despite being popular among my friends and considered one of the most creative westerns to come along in awhile, I found that in many cases its abhorrent content overwhelmed the nuances of the story and characters.

 

Set many years into the future when our world has become toxic and forced our removal to other galaxies, the small crew of the spaceship Serenity are forced to loot abandoned vessels and trade their findings on the black market due to stringent laws and various adversaries. The captain of the "firefly" vessel is Mal Reynolds (Nathan Fillion), a former military man who has shared the field of battle with his second in command, Zoë (Gina Torres). Her husband Wash (Alan Tudyk) is their savvy tech expert, the adorable and largely naive Kaylee (Jewel Staite) handles the nuances of the engine room, and the gruff Jayne (Adam Baldwin) brings the muscle. Assisting in the glamour and credibility of their freight is the beautiful Inara (Morena Baccarin), a prostitute.

 

Due to financial difficulties, Serenity has chosen to take on passengers in spite of the cargo burning a hole in their hold. Because it is imprinted with a federal stamp, they cannot unload it and must find other means of dumping it before they are found out. Among their passengers is a missionary monk known as Shepherd (Ron Glass) and young doctor named Simon (Sean Maher). When they are derailed by the local authorities and wind up in a firefight, Mal discovers that the good doctor is transporting his own illegal cargo -- in the form of his younger sister, River (Summer Glau). Emotionally unstable and extremely dangerous, River was exploited by the government in order to use her extraordinary gifts for their own dark purposes. Tortured and abused by the establishment, Simon risked everything to break her out of the institution and now they are on the run. This unusual gang of misfits team up to stay under the radar and make a profit, while attempting to coax the truth out of River as to her mysterious past.

 

Like most of the producer's projects, Firefly is an unusual and ingenious concept flawed by some severe content issues. Overall it is a very funny, quirky, and cute series with memorable characters and a great plot. It is basically a typical western set in space, so you can expect to see cattle rustlers, town hall girls, and space ships all in the span of a single episode. People ride around on horseback and hover crafts, and the costumes range from modern styles to chaps and old button down shirts. It's surprising that the series was canceled barely out of the gate, because it's a solid thirteen episodes, but the fan following was so massive that it contributed to a full-length feature film released in theaters in an attempt to "wrap up" some of the loose plot lines. I must admit that I did like the characters, all of whom are deeply flawed but personable. One of the best ones is Kaylee, who is so adorable you just want to hug her. I especially liked her romantic tension with Simon. Not knowing what River might do in any given situation is also a bonus, because it prevents the air from growing stagnant.

 

Having said that, I would not recommend Firefly because of the pervasive content which somehow seems to permeate all the episodes despite having a handful of cleaner ones. Maybe it is the presence of Inara, a prostitute (since in this futuristic world, it has become legal), that makes it seem this way, or maybe it is the abundance of innuendo, fairly graphic sexual content, and nudity. Half or more of the episodes feature all of the above. There are side and back shots of a topless woman bathing, another naked woman attempting to seduce Mal, and of River when she first falls out of her crate. Later in the series, Mal is shown completely naked from behind in five or six different shots while stranded naked on a planet. (The camera is careful to just barely avoid frontal nudity with various objects.) Our introduction to Inara is with a client on top of her, moving and heavily breathing. She entertains various other men and once, a woman (they share long, passionate kiss in a romantic candlelit setting) throughout the season. Mal has a graphic sex scene with a prostitute but resists the advances of a buxom girl who professes to be his wife. (She also comes on to Wash.) Zoë and Wash share frequent innuendo and on several occasions are shown in the "afterglow." Mal experiences a flashback in which he remembers discovering two people having sex in his engine room; it turns out to be his first meeting with Kaylee.

Language and violence are also present but somewhat diminished in the wake of, well, filth. I hate to be that hard on something but it would be difficult to find a single episode not riddled with sexuality. It's a shame because it distracted me so much from the characters that I could never quite warm up to them. I will say, however, that the best episode was "Shindig," in which Mal is forced to fight a duel with a snobbish, brutal aristocrat who happens to insult Inara. It was actually quite clean, had moments of sweetness, and was very funny. I wish I could say the same for the series.

   

    
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