To
every story, there is an ending, and in every play there is an oddball. With
every comedy, all elements of humor are combined to create such great satires as
The Princess Bride and Monty
Python and the Holy Grail. This is what A Knight's Tale strives
to become, and if you have a good sense of humor, within five minutes of the
opening scene, you will be roaring with laughter.
William Thatcher (Heath Ledger) is a young squire with ambitions
toward knighthood. There's only one thing that stands in his
way: you must be of noble blood to be a knight. But when
opportunity knocks (or rather, his knight master bites the
dust), open the door. While his friends Wat and Roland dream
only of the good life, William longs for more, and the idea of
playing a game of charades is greatly appealing. Convinced he is
as capable as any man of "noble blood," William decides to take
on another identity, that of Ulrich von Liechtenstein, knight
and nobleman. Along the way he meets up with a quirky scribe
(Paul Bettany) with a gambling addiction, who loves the idea and
passes him off some forged paperwork to convince the nobility of
his bloodlines. After some intense training, William goes off to
fight, and turns out to be reasonably good at it. (After being
trounced, whacked, nearly drowned, etc., a dozen times in
training.)
Another
loop is thrown into the works when William meets and is enthralled with Jocelyn
(Shannon Sossoman), a porcelain-skinned, dark haired beauty. Unfortunately, the
evil black knight Count Adhemar (Rufus Sewell) is also in love with the fair
princess... and will eventually be the knight against whom William is pitted in
the final battle. What follows is a charming, wacky, and overall unique blend of
humor, knighthood, honor, and romance that hasn't been seen in a long
time. This is a different variation of the story with some humorous spots, yes,
but also a few problems.
There's none of the blended dull strings here, or even the "medieval
disco" of Ladyhawke; instead, we're
blasted with modern-day rock. You know it is going to be a fun film when
"We will rock you!" has the audience in the jousting stands stomping
their feet and shouting. Its messages are ultimately good ones and for
the most part the content is tame, but does contain a couple of things
that might disconcert parents. William is given hope by his father that
with hard work, he can change his fate and become what he dreams of.
When faced with the truth, he refuses to run away, taking a valiant
stand against it that can be summed up in one word: honor. God is
mentioned a few times in the proper sense, and we are given a glimpse of
a missionary preaching along the side of the road; but a slight
reference also alludes to the "guidance of the stars." Excellent lessons
of compassion and honesty are praised here, but are overshadowed by some
minor cravats that make family viewing rocky. Chaucer is a man who likes
to gamble, and in doing so, often looses his shirt... and his pants...
and his shoes. We're given a couple of glimpses of his full bare
backside in two scenes (in one of them, he sits down on the roadside and
so we see most of his naked side).
Some
mild sexual innuendo, a few lines about women's breasts, and implied
premarital sex make up pretty much the rest of the film's objectionable
content.
J