The
Lost World (2001)
Our rating: 3 out of 5
Rated: TV14
reviewed by
Charity Bishop
Sir Arthur Conan Doyle is best known for his stories about the famed 221B Baker
Street detective, but the truth is he was the father of dinosaur fiction. His
novel, written in 1912, spurred a natural interest in the prehistoric creatures
that walked the earth thousands of years ago. A&E's film may not be a close
adaptation, but it's a memorable one.
Professor George Challenger (Bob Hoskins) has just returned from
an expedition in the Amazon, where he claims he shot a flying
dinosaur thought to have been extinct for some three million
years. He brings back as evidence the bones of the creature, and
attempts to raise support to make a deeper expedition into the
jungle in search of the lost world told of in the eccentric
writings of theologian, where dinosaurs still exist on a plateau
long lost to civilization. Accompanying him will be fellow
scientist and skeptic Leo Summerlee (James Fox), renowned hunter
and explorer Lord Roxton (Tom Ward), and Edward Malone (Matthew
Rhys), a journalist. Their travels bring them to the village of
Reverend Kerr (Peter Falk) and his niece Agnes (Elaine Cassidy),
who would like to accompany them, as she speaks the Indian
dialects and knows the terrain. Reluctantly they agree and the
group journeys into the jungle in search of the fated cave
entrance to the plateau, in search of these giant flying
dinosaurs.
After their guides are frightened away by a ritualistic sign
marking the lands as haunted by the devil, they are left to
travel under their own power. But they find the cave entrance
has been blocked over the years by a landslide. The plateau
looms above, a sheer face of jagged rock. Risking their lives to
cross on a fallen limb, they are left stranded in this
terrifying but fascinating world where dinosaurs co-exist beside
human and monkey inhabitants. But the world is not all beauty,
and there lies something evil in the jungle that wants them
dead. Can they escape this unknown predator, or will they be
forever stranded in the lost world?
I have never read Doyle's novel, but am familiar with his style
of storytelling, and from what I can see this has his name
written all over it. It really is a beautiful piece of
filmmaking with much more depth and prowess than Spielberg's
films. The characters are well-developed and even the addition,
Agnes, who did not appear in the novel, blends in well. She is
the ideal heroine without becoming clichd, macho-girl, or the
damsel in distress. The animation on the dinosaurs is
breathtaking, the countryside gorgeous, and the characters truly
interesting. You come to admire and like them all, despite
individual flaws.
There can be no dinosaur epic without violence. Language is
limited to mostly British slang and mild profanity, and there is
virtually no sensuality (except for a native woman's bare back).
But violence and thematic elements are very strong. The
characters are chased and threatened numerous times by
carnivores, who once attack a native village and maul people.
One is torn apart (not seen, although we witness the bloody head
of the creature grasping raw flesh). The creatures are shot at,
bludgeoned, and impaled. I wasn't too put off by this element...
what shocked me was a scene involving ape-men who bludgeon a
native in the head with a rock and then eat him. They handle the
scene as tastefully as possible, but it's still overly intense
with some bloody results. Later, they spread filth on their
faces to avoid being eaten.
Violence aside, there is one other thing that bears mentioning.
That was the addition of Reverend Karr, the only religious man
in the film. He's portrayed as being a doubting fanatic willing
to go to any lengths to prevent science from being fully
explored. He is unable to even remain in the presence of anyone
who doubts the scriptures. While Challenger himself does make a
pro-God reference at the end, religion get something of a
berating. Since they handle both evolution and creation, yet
seem to favor neither, I would have appreciated a little more of
a religious leaning, particularly on the part of Agnes.
|