To be completely honest, I'm not a huge fan of The Matrix films. I
thought the first installment was confusing sci-fi on steroids, but the
second lured me in, and the third is an all right finish, but doesn't reach
its full potential. By now fans are familiar with the characters. Nero
(Keanu Reeves) is the "chosen one" to save the nation of Zion, the last
standing empire in a world ruled by robots. No longer trapped inside the
Matrix, which is a computer-generated reality (most human beings do not
really live; they merely believe they are through holograms, while
generating energy for true reality, an empire ruled by machines), Nero and
his friends Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) are
seeking to rid themselves of a computer program named Agent Smith (Hugo
Weaving).
The city of Zion is soon to be under mechanical attack, for there is no
longer need for mankind. The Oracle (Mary Alice) has predicted that Nero
will be the salvation of mankind, but in his absence the city prepares
itself for attack. Nero has become lost in a world between Zion and the
Matrix, where only programmers are allowed to go back and forth. He is not
allowed onto the train that transports back to virtual reality and therefore
must dwell there an eternity. Trinity isn't about to leave him behind and
engages in a scheme to free him that will have long-term consequences. Zion
is attacked, there is a traitor aboard their spacecraft, and the only way
for mankind to be saved is for Nero and Smith to engage in a final brutal
battle for the fate of the world. Rather like The Lord of the Rings
or Star Wars, you have to see all three to make sense of any of them.
Unfortunately it had been several months since I rented the first two and
therefore I was left trying to remember places, people, and things while the
film charged ahead like a runaway train.
While the special effects have gotten better (no longer do the thousand-plus
Agent Smith doubles running around look like cheap Shrek computer
animations) the story is still very difficult to follow and involves a lot of
imagery... there's a little bit of Christianity, along with Buddhism, Hinduism,
and some New Age philosophies. They're actually more downplayed in this one,
where Christianity takes center stage for the last climactic battle and events
following. The real problem with the script is the lengthy battle scenes that
slow down the plot. An hour and twenty minutes in, Neo still hasn't met his
objective and faced Smith. Zion has been under attack for roughly half of that,
which is a long time to watch machines crash and burn under heavy firepower.
This seems to be the problem with all the films, overly long battle scenes that
make up for lack of plot. To be fair, I wasn't all that familiar with the story
when I popped in the disk, so I may be a little harsher than necessary.
Content-wise, this one has some truly foul language in addition to violence,
but the graphic sex scene that spiced up
Matrix Reloaded is notably absent. One of the characters has a foul
mouth and uses G-dd--n it about a dozen times, along with a half dozen abuse
of Jesus Christ's name, general profanities, and uses of s---t. I was
disappointed in the language. There's no sexual content except for some
scantily clad girls in a bar, and a heavy dose of cleavage from the wife of
a programmer. Violence isn't extreme but does get gruesome on occasion as
men are impaled with machine tentacles, have their throats cut, are slammed
into walls, blown up, have their necks broken, and are shot multiple times.
Neo is electrocuted, resulting in the loss of his sight. His climactic
battle with Agent Smith gets particularly violent, but involves some of the
coolest fighting techniques I've seen in quite some time. It's not a total
loss, but for those with sensitive ears longing for an intelligent ride, I
would suggest seeking an alternative.