MI-5,
Season One
Our rating:
2 out of 5
Rated: TV14
reviewed by Charity Bishop
Considered one of the better spy programs on
television, MI-5 or Spooks as it
is known abroad, is a fast-paced, character-oriented
drama about a division of the British secret
service. There have been a rash of abortion-clinic
related bombings in London and all fingers point to
an American anti-abortion activist who has recent
fled into the country after eluding several arrest
warrants in the States. Heading up the team of
talented agents meant to catch her and turn her over
to the appropriate authorities is Tom Quinn
(Matthew Macfadyen), an expert at undercover
operations who has just started up a relationship
with a single mother who has no idea what he does
for a living.
Running amuck of their American cousins in terms of
jurisdiction and using all their resources to
attempt to catch this woman before she pulls off
another lethal attack, MI-5 employs the assistance
of two of their other top employees, Zoe Reynolds
(Keeley Hawes) and Danny Hunter (David Oyelowo) to
bring her in. Believing she will set off another
series of attacks to correspond with her husband's
execution, they have only forty-eight hours to bring
her to justice. The first season, which consists of
six stand-alone episodes, tackles all number of
international and local events, from rising racial
tensions to spies within the organization, planned
assassination attempts against dignitaries, and a
political hostage situation. There is an undercover
operation that goes terribly wrong, and a bomb set
to go off seconds after the season finale's
conclusion. It's not as hair-raising as 24
but does come with an adrenaline rush.
Like most British productions, there are no censors
for evening entertainment and unfortunately MI-5
is allowed to get away with some fairly graphic
language and occasional sexual situations. Several
f-words and a dozen or so abuses of Jesus' name
accompany frequent abuse of s**t. The first time we
meet Tom is in bed with his naked girlfriend but the
camera barely avoids anything explicit. (They kiss a
bit and flirt before he gets up to go to work.) He
invites her and her daughter to move into his flat
with him. On an undercover mission, a fellow agent
makes a sexual play for Tom, who excuses himself
from the bed. In "Traitor's Gate," we see from
across the room and overhear the end of a sexual
tryst, as well as the woman's bare back and
underwear as she puts on her clothes. One of the
female agents in MI-5 is having sexual affairs; one
of her liaisons corners her in corridor and pulls up
her skirt before they make out passionately. In the
second episode, an abusive husband forces his wife
to show his friends her breasts (implied).
Themes of lying are explored in Tom's relationship
with Ellie, but what disconcerted me a bit more was
the latent liberal and anti-American undertones.
They did not surprise me and were cautious not to be
too openly antagonistic, but there were several
cases that might be offensive. The first was the
pilot and its emphasis on anti-abortion bombings, a
minor division of misguided so-called believers who
are unable to comprehend the concept of God much
less act in His name. This woman, deliberately an
American activist, cites scripture in her defense
and argues with Tom about the meaning of "thou shalt
not kill." The next episode features a white racist,
and a later episode features the impending arrival
of President Bush. Nothing derogatory is said about
him but I got the feeling no one in the agency was
all that invested in his protection. The Americans
are all depicted as obnoxious and pushy.
Violence is prevalent but rarely graphic except in
one instance in which a woman is tortured by having
her arm dunked into boiling oil and then her face.
The sight of it was not nearly as grotesque as the
emotional aftermath in which a bullet is put into
her head. I'm accustomed to the good guys always
saving the day, and rescuing their fellow agents
from certain death just in the nick of time, a
non-realistic but comforting form of entertainment,
so it shocked me to have one of them dead within
hours of starting the series. My opinion on it is
varied. The social commentary that runs beneath does
not trouble me much, but the language is something
of a problem and I sense that impending seasons will
push things a bit more. That being said, the
characters are rather likable (well, some of them)
and it has a nice stream of guest appearances,
ranging from Anthony Head to an extremely irritating
Hugh Laurie. I have a feeling I've been recruited.