|

MOONLIGHT
THE
COMPLETE SERIES
REVIEWED BY
CHARITY BISHOP
Our rating: 3 out of 5
Because of: thematic elements, violence
Rated:
It has been
awhile since there was a good vampire drama on television, and audiences
have missed them. There's proof enough in the loyal fan base of Moonlight, which pairs up old tradition with a few new
ideas to bring about a charming classic retelling of a vampire on the
search for redemption.
There is not
much about Mick St. John (Alex O'Loughlin) that would peak the curiosity
of strangers. He seems quite normal. He lives in a lovely apartment and
takes on detective cases as his day job. He does like the darkness
better than sunlight and has a better nose for clues than any police
dog, but apart from that, he's normal. Except of course that he happens
to be a vampire. Most people do not know this about him, but if there's
one thing Beth (Sophia Myles) is fascinated with, it's a man with a
past. There is something familiar about Mick. She senses it the first
time they meet across the police tape. A young woman has turned up
brutally murdered, and all the clues seem to indicate a local professor
with an obsessive fascination with vampires and the occult.
Beth
works for Buzzwire, the hottest news source on the internet. Mick tunes
in to most of her broadcasts. But not because she's such a good
journalist (although there's that, too). When Beth was a child, she was
kidnapped and he was called in to investigate. He has not aged a day
since he hurried her out of that apartment after subduing her assailant.
While Beth attempts to unravel the mystery of Mick, his associate Josef
(Jason Dohring), a four hundred year old vampire, warns him that
attempting to help out humans can have dangerous consequences. But Mick
cannot help himself... or falling in love.
That's about
the time that the past starts to catch up to him, and memories of his
ex-wife and sire, Coraline (Shannon Sossomon) start to surface. The
sixteen episode series had me hooked from day one, and every weekend
most of my friends would gather for a viewing. It was the show we looked
forward to most, and with good reason. It's the most unusual, funny, and
adventurous program to come around in a long time. True, it does bum
certain plot lines and twists off its predecessors but always
manipulates them in a new and original way. Mick is a completely likable
guy who keeps his blood drinking to a minimum and would love nothing
more than to return to being human. Beth is a fun, quirky leading lady
torn between the two men in her life -- her devoted boyfriend Josh, and
the handsome and mysterious detective who has stumbled into her world.
And then there's Josef, who is much more than he first appears.
All
obsessive gushing aside and overlooking the fact that the scripts are
tightly written (only one or two episodes founder a bit), Moonlight
is just a good show. At least for a vampire fan. Non fans of the genre
might find it hard to tackle because of its numerous themes relating to
the undead. There's also a heavy dose of sensuality because, as everyone
knows by now, vampires have a certain eroticism attached to them. There
are numerous references to affairs, couples living together without
marriage, occasionally scantily clad women, and children out of wedlock.
The content is never graphic and there isn't even that much of it, but
certain scenes do bear mentioning.
"No Such
Thing as Vampires" involves a murder investigation that implies a
college professor has been taking sexual advantage of his female
students. Beth is attacked and her shirt is ripped open, revealing her
bra. "Arrested Development" deals with an underage, sexually frustrated
vampire murdering hookers. He's shown frequenting escort sites. In
"Fleur di Lis," overcome by his passion for Coraline, Mick opens the
shower door and kisses her (the camera stays above her shoulders). He
also holds a clothed Beth in a tight embrace in that shower in "B.C.,"
as he helps her come down off a drug high. In "The Mortal Cure," Josef
is having a massage surrounded by mostly naked models. Discussion
revolves around whether or not vampires and humans can have sex (the
answer is yes, but it's inadvisable). That question is answered in the
season finale, when a murder reveals that a vampire has accidentally
killed their lover in the heat of passion.
Occasional
mild language is present but it's the violence that is more prevalent,
of the nature one would expect from the genre: vampires are staked
through the heart, thrown through windows, incinerated, and decapitated
(the most graphic decapitation and severed head are shown in "The Mortal
Cure"). Humans are attacked and bitten by them -- sometimes off screen,
and sometimes on. Mick is forced to feed on Beth to save his life, with
her permission. The worst instance is in "Click," in which a journalist
is taken out by vampire assassins who enjoy their job a little too much.
Mick engages in frequent fist to fang contact, and in several instances
is beaten to a bloody pulp.
The original
aspect of the series is fascinating. Beth is not your typical heroine,
because even she is capable of showing a darker side to her nature. One
of the most likable characters on television, Mick is not perfect either
but wins you over as a vampire in search of redemption. Audiences tend
to underestimate Josef, but then discover that for all his charm, he's
the equivalent of the Godfather. The performances are beautiful and it
has a wonderful original score that comes in at the more dramatic
moments. It will not appeal to non fans of the genre but for those
looking for something to watch after the cancellation of Angel,
this might just fill the void.
|