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MURDER
BY DECREE REVIEWED
BY CHARITY BISHOP
Our
rating: 3 out of 5 Because
of: violence, gruesome images
Rated:
Few pastiches
have the distinction of living up to the original works of Arthur
Conan Doyle. There have been many speculations on Sherlock Holmes'
involvement in real mysteries like the Jack the Ripper killings in
London, and even his pairing of other classic literary figures
like Erik, the Phantom of the Paris Opera House. Murder by
Decree has the distinction of being a favorite among
Sherlockians for its distinctive flavor and complex storyline. It
takes the Holmes we know and love to new heights without ever
distorting his true nature. It's the "definitive"
pairing of Holmes against the infamous Whitechapel murderer. It
also comprises one of the finest on-screen pairings of the
literary sleuth and his faithful associate in Christopher Plummer
and James Mason, who manages to redeem the mishandled screen
portrayals of Dr. Watson with his surprisingly insightful
performance.
London,
1888. Upper class society remains constant under a reasonable
monarchy and the expert detective work of the famous man of 221B
Baker Street. Beneath the glittering exterior lies a series of
complex and barbaric murders in the west end. An unknown fiend has
been randomly attacking and slaying prostitutes in Whitehall.
Scotland Yard has become involved but show little headway in
marking this fiendish assassin who seems to have no reason for his
crimes. The interest of Sherlock Holmes (Christopher Plummer) has been engaged, but he
is unwilling to enter into the case without being invited. He has
not long to wait. A group of unidentified "shop keepers"
in Whitehall make a plea for his assistance, saying that the
police are making no headway and as a result their business is
suffering. Holmes shies away from any direct compliance, but
undertakes an investigation when notified of the most recent
murder -- this one with particularly gruesome details.
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Sherlock
Holmes interrogates Annie Crook,
the
link to the truth behind the murders
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His
presence in Whitehall is brought to the attention of the head of
Scotland Yard, Sir Charles Warren, who warns Holmes not to invade
in police matters. Warren is concerned for the impoverished people of the lower
district, to whom incriminating evidence is pointed. A message
written in chalk on a wall found near the body indicates
"Jews" are to blame for the atrocities. But Holmes is not
convinced. He receives an anonymous tip leading him to a
local medium claiming to have foreseen the crimes.
His investigation will lead him to the torrid
confines of a mental institution and one young woman's shocking
link to a series of crimes against humanity at the orders of a
higher power. In this sense, Murder by Decree is
both a complex thriller from a purely cinematic standpoint, and
also a controversial glimpse into British politics and elite
secret societies in the Victorian age. Where many other pastiches
fail, this one succeeds by tying in the social ideals of the age
(as well as an avid interest in mysticism, which was growing
popular at the time) along with a watertight case of evidence to
prove the Ripper killings had more significance than merely random
attacks of slaughter. The screenplay manages to be both convincing
and intriguing while not allowing the dark humor of Holmes to
elude the audience. Lighter moments between Holmes and Watson
offer some much-needed comic relief without being too obvious in
their intent.
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Holmes
& Watson question a local medium
who
offers evidence of the Ripper Killings
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Another
aspect that came off well is the ability of Christopher Plummer to
take a character who has been much maligned in the way of
emotional response, and inject into him some humanity. Horror at
the killings, a deep sense of grief when discovering he has failed
to keep someone alive, unbridled anger at the mistreatment of a
young woman. He even collapses when the case is complete, after he
has tracked "The Ripper" to his death, proving he is not
all-powerful or without mental exhaustion. I was very pleased with James
Mason's performance as Dr. Watson. He avoids the bumbling idiot so
often associated with the cases (which is very untrue to the books
since Watson proved invaluable in many respects) and instead
manages to portray a very likable, intelligent physician who just
happens to room with the most eccentric man in London. Supporting
characters are also well-developed.
The
case is difficult to follow at times, though Holmes clears it all
up in a dramatic conclusion. It is also a very dark and brooding
experience; viewers should be forewarned many alley chases,
stalking scenes, and murders take place. The actual killings are never
explicitly graphic (except for one early sequence when a woman is
strangled to death in a close-up) but are bloody. Blood coats the
bodies of the murdered prostitutes and several men who strayed
into the way of the fiend. We hear screams as a woman is killed.
Two men are stabbed through the chest with a long, slender
instrument. A violent battle erupts in which men use dock chains
against one another. Becoming entangled in fishing nets, another
figure unintentionally hangs himself. There is also graphic
discussion of the results and a mention of suicide. Profanity
is moderate, with many uses of d*mn, bloody, and "Good
Lord!" A woman cries out, "Sweet Jesus, I'm
scared!" while Holmes is attempting to console her. An
inspector accuses Holmes of portraying himself to be "God
Almighty Sherlock Holmes!"
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'There's
no call for squashing a fellow's pea!'
-
Watson protests Holmes' attack on his dinner
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There is no sexual content, which
is surprising considering the "trade" of the women
involved. Watson is sent to interrogate the ladies of Whitechapel
and one of them comes onto him by flirting and sliding her hand up
his leg. She leads him into an alley (he under the
presumption of meeting a witness) and turns on him. As
previously mentioned, there is a medium in the film. However,
there are no séances, attempts to use him to contact the dead
prostitutes, or anything potentially evil. He merely makes an
appearance in several scenes and recalls flashbacks of "intuition"
he had prior to the murders. While
it's not quite perfect and many of its elements are disconcerting,
I feel this is one of the best Sherlock Holmes films I've seen.
The historical ties, as well as the shocking conclusion, make for
a dramatic glimpse into the world we've come to associate with
powerful reasoning and deductive skills. If you want a film you can dwell on
intelligently, Murder by Decree is a fascinating way
to spend a foggy afternoon.
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