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PENELOPE
REVIEWED
BY CHARITY BISHOP
Our
rating: 5 out of 5
Rated:
Few
movies warm my heart without being overly sad or melancholy,
but Penelope is a delightfully funny and sweet fairy
tale that leaves you with a smile on its face long after the
closing credits. It is so wonderful that I find it difficult
to understand why it took two years after production to find
a studio willing to market it -- but it's here at last, and
you may want to get your tickets early, because it's well
worth seeing at least twice on the big screen.
Two
hundred years ago, a member of the Wilhern family made the
mistake of impregnating and then choosing not to marry one
of the household servants, who, in her distress, threw
herself from a cliff. Her infuriated mother, the town witch,
placed a curse upon the Wilherns that the first born
daughter would bear on her face the unfortunate disposition
of her ancestor, until one of her own kind could love her
despite her face and break the curse. There was, much to
family relief, a great succession of all-boy descendents...
until Penelope (Christina Ricci). Family distress was so
great at her birth with the ears and nose of a pig that her
humiliated mother (Catherine O'Hara) faked her own child's
death and hid her away in the manor until she could think of
a plan to have her married off when she became of age.
That
day came and went and so far every single man that has taken
one look at her has leapt out the nearest window screaming,
including the latest in their long line of potential
husbands, Edward Vanderman Jr. (Simon Woods). Only this time
the long-suffering butler could not catch him before he made
it out into the world to sign a gag order, so he goes
stumbling into the nearest police station with the
incredible story of a "monster." No one believes
him except an intrepid reporter who once caught sight of
Penelope as a child. Even though he was present for the funeral,
he now wonders if Penelope is not dead after all.
Now
that Edward's reputation is sullied, he agrees to help the
reporter prove Penelope's existence and they enlist the
assistance of a blue blooded compulsive gambler by the name
of Max (James McAvoy) to infiltrate the house and get a
picture of Penelope. But life never unfolds as you suspect,
and what transpires in the following hour and a half is a
wonderfully sweet story that is ultimately about
self-acceptance and discerning the worth of true friendship.
It is mindful of its messages but not preachy in delivering
them, and there was a twist about twenty minutes from the
end that I absolutely loved, as I did not expect it. Ricci
has been in so many brooding, dark films that it's
delightful to see her as the spirited and sweet Penelope,
who is innocent of the world and just wants to be accepted
despite her deformities. The rest of the cast is equally
delightful, ranging from Richard E. Grant as her frustrated
father to Reese Witherspoon as her best friend.
Best
of all, the film is appropriate for all ages since there is
nothing to cause concern. The humor is sometimes at
Penelope's expense, but revolves around how shallow the
people in her life are -- and it's rapidly apparent that the
people who truly care about her, do not mind if she looks a
little different than everyone else. Some characters have a
change of heart, and others remain as selfish and biased as
they ever were. Max does have a gambling problem but
indicates later on that he intends to move away from the big
city to the country, where he will not be tempted.
There
is one mild abuse of deity and one mild profanity
("hell"). Violence is played for laughs as men
fling themselves out second story windows amidst a hailstorm
of glass. Penelope does run away from her over-protective
parents for a time but ultimately they are reconciled. She
gets a little bit drunk at a pub after Max insists she must
have a "beer on tap" during one of their
conversations. There is mention of a curse and a witch, but
she only makes two brief appearances -- once to curse the
baby, and again to silence someone who is annoying her. It
may not appeal to everyone, but to young women looking for
inspiration and strength without the unwanted encumbrances
of scandal and inappropriate behavior, they will find a true
and lasting friend in Penelope.
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