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A
PERFECT MURDER
REVIEWED
BY CHARITY BISHOP
Our
rating: 2 out of 5 Because
of: sexual content, language
Rated:
We
all remember the story Hitchcock made famous in Dial
M For Murder. This modern
day upgrade has some mean twists up its sleeves. If
you thought it was the same ole story reborn with a
new cast, you're dead wrong. Hitchcock himself
would enjoy this upgraded whodunit that allows you to
follow the murderer's schemes every step of the way.
Steven Taylor (Michael Douglas) has what appears to be
the perfect life. He has a gorgeous wife (Gwyneth
Paltrow), a luxurious penthouse, millions invested in
the stock market, and keen business
sense. In all appearances they're the ideal couple...
but Emily has a few secrets. One of them is David
Shaw (Viggo Mortensen), her artistic lover. They met a few months before and have been carrying on an
affair behind her husband's back. Unable
to deal emotionally with Steven any longer, Emily
wants to tell him the truth and ask for a divorce.
What she doesn't know is Steven caught on a long
time ago. Casually making David's acquaintance, he
asks to see his works of art one evening. Circling the
flat, calmly noticing his wife's missing wedding ring
on the bedside table, and appraising the art with
ultra condescension, he makes David an offer he cannot
refuse. A big, fat paycheck to kill Emily. It turns
out that saintly David has a bad record of seducing
impressionable women and stealing their fortunes. He spent
quality time in prison on just such an offense and
was hoping to repeat earlier success with Emily. At first
he's reluctant to think of "knocking off"
the woman in his life, but a half million dollars
would turn any con's head. Without asking questions
he agrees. The night of the premeditated but "spontaneous"
crime, Steven is at a poker game. His wife is home
alone. A masked intruder breaks in, and it all goes
horribly wrong... From
the very beginning A Perfect Murder grips the
audience. We side with his wife as she slowly unravels the
truth and grow tense when her life
is endangered. There's nothing as calculating as
Michael Douglas complacently laying out his scheme and
luring unsuspecting participants into it while juggling
stock
reports and financial responsibilities, and nothing as
chilling as watching his face as he listens to his
wife screaming over the phone. There's
an excellent performance by David Suchet (Poirot) as the calculating local police
inspector. He's particularly effective in the final
scenes. Having seen the original
film, I can safely say this
is the better scripted of the two. It's been
modernized and contains serious content issues but
has greater tension and a fantastic twist ending. There is
a question over whether murder is justified in
self-defense but the moral basis of the argument has
been swayed by the time of the eventual conclusion. Paltrow is more likable than
Princess Grace, perhaps because she's more effective
at reacting and has greater emotional trauma to deal
with.
It
appears to be rather a low-key production but still
manages to be eye catching in visuals. The
violence is underplayed to be as least offensive
as possible while still retaining shock value. There
are several scenes when a man physically assaults a
woman, throwing her against walls, over furniture,
slamming her into things, and nearly succeeds in
strangling her. She grabs a meat thermometer in self
defense and stabs it through his neck, with gruesome
results. His corpse lies in the kitchen in a puddle of
blood. A different man is stabbed in the
chest and killed, another shot multiple times at
close range with gruesome results. There's a fair
amount of language consisting of mostly f-words (eight
or nine at most, half used sexually) but two GD's do
pop up in the dialogue. Sexual content is also
problematic. The credits open over Emily and David
romping in bed. She comes to his apartment a second
time, where they kiss and caress and then make love in
a lengthy kissing scene. Emily walks around in lacy
undergarments and a shirt. These
issues are worth noting, as well as the fact that
sexual manipulation and adultery come into play. David
isn't phased by the idea of murdering his lover, so
long as he has one last bedroom fling first. Emily was wrong in becoming involved with David, but
we're on her side because no one deserves Steven. This
kind of rationalization is difficult to stomach at
times but because of circumstance we give her our
full support. It's a sexy, clever thriller that keeps
us guessing just when we thought we had it figured
out. On the DVD and many special edition VHS copies
there's an alternate ending scene. Filmmakers were right in the conclusion they chose.
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