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PLEASANTVILLE
REVIEWED
BY SCARLETT POWELL
Our
rating: 2 out of 5 Because
of: sexual content
Rated:
What
might have been a wonderful coming of age story has
been transformed into a journey of sexual awakening
from wholesome innocence. Pleasantville will
draw audiences in because of the beautiful filmmaking
and magnificent leading cast, but don't be fooled by
appearances. This film is much more vulgar than it
seems. David
(Tobey Maguire, Reese Witherspoon) is your average
American teenager. David spends his time trying to
think up things to say to girls, and watching his
favorite 1960's television show, Pleasantville.
He knows the episodes backward and inside out, from
what dress Mary Sue wore to the prom to the exact
number of soda bottles on the store counter. The cable
channel that shows this wonderful piece of family nostalgia
is opening a contest for fans to participate in and
win big bucks. At the end of their all-night marathon,
they'll run a series of questions and the person who
answers them all accurately will get the grand prize.
Little does David know that his sister Jennifer (Reese
Witherspoon) has finally gotten a date with the boy of
her dreams. They're planning on watching an MTV
concert at her house that evening, with no parent
chaperones since their mom is going out of town. An
all-out tug of war leaves the remote control shattered
on the floor, and both siblings sulking... until a
stranger comes to their door. The TV Repairman (Don Knotts)
gives them a new remote control, and with the magic
press of a button, they find themselves in ...
Pleasantville! They've been sucked into the black and
white world where everyone is innocent, where the only
thing two teens want to do in the back of a car up at
the lake is hold hands, where if you haven't seen it
in the show, it doesn't exist (bathrooms), and you can
never leave: because the road doesn't lead anywhere.
David
knows that in order to get out of this alive, they
have to play along. Jennifer has to be innocent, sweet
Mary Sue, and he has to be the local soda jerk. But
after a few hours of being Mary Jane, Jennifer has
other plans. She teaches Mary Jane's shy boyfriend a
few things about sex. It creates a ripple throughout
Pleasantville. Suddenly all the teens are fornicating
up at the lake. Then the parents start catching on.
With this liberal freedom comes... color! A red rose
in the neighbor's hedge, a blue sweater. David knows
their world is beginning to unravel. Reality is
entering fantasy. They all have something to learn if
they're ever going to get home. What comes out of it
is basically a story of sexual awakening, a liberal
effort that says innocence is nothing to be proud of,
and we should mock the sweet charm of the 1950's, when
you never saw a toilet, much less a married couple
sharing the same room. That's
not to say this movie isn't charming. It does have
some sweet moments, particularly in the first half,
but I rapidly grew tired of constant sexual references
and modern propaganda. Mary Sue's mother is concerned
that her husband won't want to try sex, so Jennifer
encourages her to "please herself." We're
forced to endure a long scene with the woman in the
bathtub doing just that. Sexual noises come from
rocking convertibles all in a row. There's full female
nudity in artwork, including that of a town housewife
with whom the artist is having an affair. One f-word
and a half dozen mild profanities make up the script.
"Oh my God!" is uttered every other word. I
thought it would be a nice little throwback and, yes,
a mockery of those silly black and white sitcoms that
your parents were raised on, but instead it was a
crash course in adultery, fornication, and sexual
experimentation. Pleasantville is better left
in innocence.
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