Poldark
(2000)
Our rating: 4 out of 5
Rated: PG
reviewed by Charity Bishop
The first installment of a miniseries that never got made, Poldark
relies heavily on its audience knowing the characters from the original
series. For someone like me, who comes in unawares, it's excessively
difficult to follow, choppy in places, and doesn't give a satisfactory
ending. There's nothing terribly wrong with it content-wise but other
than the opportunity to glimpse some pretty faces, it offers us nothing
either. The film opens with Jeremy Poldark (Ioan Gruffudd) rowing a boat
to shore. A skiff has come around the point bearing two passengers, one
dead, the other barely living. The survivor is taken to his modest home
in Cornwall, where Mrs. Poldark (Mel Martin) carefully nurses him back
to health.
The man is Stephen Cravenson (Nicholas Gleaves) and his boat was lost in a
storm, forcing him and fellow crewmen to evacuate. The dory overturned and
most of the crew were lost. With no way to row themselves to shore, the few
survivors perished. Both charming and worldly, Stephen makes an influence on
lovely young Clowance Poldark (Kelly Reilly). She is naturally drawn to him
and he's quite willing to take advantage. In the meantime, their father Russ
(John Bowe) is working hard in Parliament to convince the lords to sign an
agreement ending the war with France. Because of the expenses and loss of
men, England lies in dire straits. Most of Poldark's own tenants in the
village have been forced out of work because of a halt in excavation of his
mines. But the court is under the control of "Mad" King George III, whose
interminable son is attempting to undermine. Working against him in his
ventures is Poldark's sworn enemy and neighboring countryman, George
Warleggan (Michael Attwell), who seeks to expand his profits and purchase up
land while it's cheap.
A twist of fates also brings beautiful Miss Cuby
(Amanda Ryan) into Jeremy's life, but his love is
unrequited due to her family's prejudice against
their lack of fortune. After being sorely used and
offended by Stephen, Clowance attends a ball in
London and meets the charming Lord Edward (Nicholas
Rowe). The match is highly approved of but she
cannot be certain of her feelings: they are torn
between Edward, a man of great promise, Stephen, a
rogue with questionable motives, and Ben Carter
(Hans Matheson), one of the local boys and a friend
from childhood. Because of these elements,
Poldark actually manages to become interesting
in the second half. The film plods along in the
beginning without laying any groundwork. They assume
we already are familiar with local rivalries and
family history, which is a discredit to their
scriptwriters. There are huge leaps in logic, taking
us first to one event and then racing ahead to the
next without explaining what must have
happened in between. This makes the film even harder
to follow and it only calms down in the last half
hour.
The characters would be more engaging if we knew more about them.
Stephen in particular is a hard one to figure out. He seems to be out to
get whatever he can. We never figure out if Russ stays away from the
country on purpose. Worst of all, the film leaves us hanging... we don't
know which of the three men Clowance will choose. There's no explanation
for a silent shift in her affection for Lord Edward. Jeremy makes
progress on the mine but we never get to see if it's finished. Based on
how bad this first movie was put together, I'm not surprised they failed
to continue it. They should have done it right or not at all and saved
us the torment of such a wretched cliffhanger ending. It was so
unexpected I fast-forwarded through the credits in the vague hope there
was a part two! Thus said, it's really a pity because the cast is
charming. It was nice to see Nicholas Rowe (Young Sherlock Holmes)
play the romantic lead for once. I also really liked Kelly Reilly, who
is not only very beautiful but has an innocent charm to her acting. Ioan
does well with what little there is to work with but is much more
likable as Horatio Hornblower.
Content isn't a major issue. Men are shot at while fleeing a crime scene and
a few fistfights break out among mine workers. A man struggles with a woman
and kisses her forcefully. Another man dashes a girl's flowers to the floor
and yells at her to get out. There are two profanities. Stephen passionately
kisses Clowance in the garden and unties her bodice but she stops him and
they part in anger. Most of her gowns are very low-cut. A man kisses his
wife in bed and remarks that he likes it when the candle goes out. There are
some mild general remarks -- a man says that a woman has a fine flank;
George's uncle accuses him of "imagining Lady Harriet naked" and losing his
good sense as a result. Stephen tries to flirt with Mrs. Poldark. It's
rather a pity this film wasn't more carefully constructed. It would have
been engaging with more character development and a proper ending.
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