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PUSHING
TIN
REVIEWED
BY CHARITY BISHOP
Our
rating: 2 out of 5 Because
of: nudity, adultery, language
Rated:
Nick Falzone
(John Cusack) has the life that everyone wants. One of
the most highly-revered flight coordinators at the
airport, it's his job to direct airplanes safely home.
All of his coworkers and friends think he's "the
man," and call him "No Fly Zone." He
has a gorgeous, talented, wonderful wife named Connie
(Cate Blanchett) and two darling children. Everything
is marvelous until the new guy flies into town. Known
as a daredevil for his ridiculous stunts (including
purposefully being hurled sixty feet by jet turbulence
on an Arizona runway), Russell Bell (Billy Bob
Thornton) has a black leather jacket, a motorcycle,
and the attitude to match. After
nearly running Nick off the road on the way to work,
the two immediately start off at odds. Anything Nick
can do, Russell can do better. If Nick makes seventeen
straight hoops at a barbeque, Russell will make
eighteen. If Nick tries to impress by driving fast,
Russell will jam his foot down on the gas petal and up
the speed. The battle of testosterone increases when
Nick is introduced to Russell's gorgeous,
booze-drinking wife Mary (Angelina Jolie). He finds
her sobbing over the death of her favorite plant in
the frozen food section of the local grocery store,
takes her out to dinner in order to cheer her up, and
after one too many drinks, winds up cheating with her.
They agree to keep it a secret from Russell, in the
likelihood that he will kill Nick, but the truth leaks
out, and Russell makes it his purpose in life to ruin
Nick. The
best way to repay a debt is to do the same thing in
return: namely, creating rampant paranoia by Nick
toward Connie's friendship with Russell. What
transpires is a lot of hurt feelings, more than one
ironic situation, plenty of laughs, and ultimately the
message that life and love are two things that you
need to work at. The film really doesn't have a bottom
line worth mentioning, since it's basically just an
adulterous romp with particularly interesting consequences.
Overall the movie is making fun of itself, and that's
what keeps it entertaining when the plot takes an
immoral turn. The characters are all likable despite
their faults, and the actors turn in admirable
performances. Several humorous scenes involve various
dangerous stunts, while others rely on the sardonic
circumstances of the moment to draw out a snicker.
For
an R-rated movie, the sexual content is kept only to
implications. Nick and Connie presumably have a fling
when he gets home from work, but the only thing shown
is some passionate kissing and his wife getting
dressed afterward. His adulterous tryst with Mary
isn't shown, but the following scene has them laying
beside one another in bed. Several close-up shots have
partial breast nudity, with a nipple showing. There
are some sexual remarks and slang, one of which a
child repeats in the indication that he knows what it
means. Violence is limited to pranks, a couple of
fistfights, and near plane collision. Language
consists of around twenty f-words, several abuses of
Jesus' name, some mild profanity, and four uses of GD.
The only Christian content is an off the cuff
reference to being baptized in an effort to cleanse
your life; Nick replies that he doesn't want to hear
any Sunday school bull****. One
thing that disconcerts me a little bit is how cavalier
the characters create the context of matrimony. Connie
takes her husband's infidelity very seriously, and it
very nearly ruins their marriage. Nick experiences a
lot of guilt over the brief fling, but it's never
clear whether it's actual remorse on doing something
like that, or just concern that it will damage his
relationship with his wife. Mary says that Russell
really doesn't care what she does with other men.
Their marriage actually improves after the fling,
because it forces him to pay more attention to her.
The whole thing is a joke, and it does become funny
throughout the course of events, but Christians will
find it difficult to root for such obviously immoral
characters.
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