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A
ROYAL SCANDAL
REVIEWED
BY CHARITY BISHOP
Our
rating: 3 out of 5 Because
of: sensuality
Rated:
A mysterious woman from the past confronts Sherlock Holmes in Hallmark's most original and chilling production
yet, The Royal Scandal. Sherlockians
may protest the slashing of the original short story but for lovers of
romance and intrigue the film boasts an impressive caliber of costuming,
misguided intentions and above all the utter brilliance of Sherlock Holmes.
Additionally we are given the opportunity to pay a visit to more unused
characters of the Canon... Wiggins, the sly, money-hounding little street rat
under Holmes' employment, and even Mycroft, Holmes' political elder brother. But
it is an adaptation that has the renowned author spinning in his
grave.
The
world's one and only consulting detective has received a call from a most
illustrious client... a member of German royalty. His Majesty has made it
apparent that in one of his indiscriminate romances, a certain compromising
photograph has been retained by a Miss Irene Adler, former actress and
operetta of the stage. He commissions Holmes to recover it for him at a high
price, but therein lies the catch. Irene Adler is familiar with Sherlock
Holmes... indeed, they were once romantically entangled.
Driven by his intention to reinstate
his respect due to Irene's "duping" of him some years before, Holmes
accepts but soon learns that there lies much more behind this seemingly simple
rescue mission than was first believed.
Reacquainted with Irene and cast
relentlessly beneath her spell, Holmes finds himself not only fighting the evil
that runs amuck in politics but his own determination not to be romantically
swayed as well. With the added complication of his elder brother Mycroft's
interest in the case for a possible allied use against Germany in the years to
come; and the concern of Dr. Watson toward his present state, Holmes is running
a high-stakes race against time itself. Could it be that more than a case of
simple blackmail lies at the heart of this mission? He remains convinced that
the case is one of political and social intrigue of a most sinister nature.
Filled with dark fog-shrouded chases through London, heart-stopping instances
of horror, and momentary glimpses into the mind of Sherlock Holmes, The Royal
Scandal was meant to be a classic among film adaptations. Sadly it falls
far short. The film begins most appropriately with a disclaimer saying that it
has not been endorsed by any member of Doyle's family. This in itself was a
grand giveaway that the following hour and a half of whirlwind scandal,
deception, romance and imperial intrigue was not exactly what good old Doyle
intended when he penned A Scandal in Bohemia, on which the production
is very loosely based. Given, the film is not an entire flop.
It manages to follow closely the story in some areas and expand out in others.
Borrowing the blueprint scam and political tensions from The Bruce-Pardington
Plans it
attempts to make for itself a winning mystery of charm and interest and could
have carried itself off well were it not for the gaping holes in character
development. Our first and most glaring flaw is found in Holmes himself... a
distracted, romantically entangled Holmes. I could have forgiven them for his alluding
to a past brief romance with Irene in which he was, to coin his own words,
"notoriously duped." But having him fall for her a second time was a
bit too much and in the words of my father, it was a "sentimental, sappy
Sherlock" that ends on a decidedly pathetic note.
Non-literary fans of Sherlock Holmes
will even notice the flaws; his apparent weakness of wills; melting under the
smile of a pretty face -- when Holmes himself pointed out many times in the Canon
that women are dangerous and not to be trusted; that he has never, ever has "been in love." I'm sorry to say it plays him the fool; and the
in-between moments that actually almost manage to adhere to the true consulting
detective pale in comparison. That Homes would ever place personal interest
before one of his cases is ridiculous; and his interest in Irene is played out
on more a personal nature than a willingness to corner her for the government's
sake. To Sherlock Holmes, this would be the ultimate humiliation.
The costuming is gorgeous, if not
revealing. Irene often wears very low gowns and her sensuality is enhanced by
the actress' ability to charm the viewer. The photograph is presumably an
intimate one although the viewer never once glimpses it. There is nothing
directly offensive but there is an uncomfortable moment that comes from Holmes as
a young man visiting her in her dressing room; then later apparently yielding to
her temptation at Baker Street. (Watson barges in and Irene flies out. We
never learn how far either took it, although it is implied they at least
were kissing.) I could have forgiven the production were it not for that minor
count... come on, Holmes, get your head out of the clouds! R.H. Thompson played
Mycroft Holmes so well I often found myself wishing HE were portraying the
lead.
There is some apparent violence, mostly implied and we view a slightly
bloodied corpse in the morgue. On the other end of the tables, the
political intrigue that is drawn out is very enthralling as Irene and Holmes
play out a delightful game of cat and mouse. Holmes even confronts Mycroft on
the point of using political blackmail and killing for the government without conscience.
He himself confesses the lessons he has learned in his dealings with Miss Adler.
In conclusion, it is a film that wavers between being likable due to the nature
of its intent and distasteful to true lovers of the Canon. If you are a
died-in-the-wool Sherlockian like myself, you will find Holmes inability to
control his feelings somewhat hard to swallow. But the rest of the production is
just seductive enough to draw you into a world of lies, deceptions, and double
agents that would please any mystery buff. It's a more minute addition to a
tempting series by Hallmark and one can only hope that it is only a misstep and
not a sign of things to come.
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