Sanctuary, Season One (2008)

 

Our rating: 3 out of 5

Rated: TV14

 
reviewed by: Charity Bishop

 

Best New Show
 
     

When was the last time you encountered Jack the Ripper, the Invisible Man, Dr. Watson, Nikola Tesla, and a 147-year-old heroine all in the same television series? That's not to mention Big Foot, the resident werewolf, or a host of other fascinating creatures that make up the Sanctuary. The brainchild of sci-fi queen Amanda Tapping, the series originally started out on the internet in a saga of fifteen-minute installments but the Sci-Fi Channel saw its potential and immediately snatched it up.

 

Our story opens in a dingy city where the shadows are crawling with what those in the know calls "abnormals" -- inhuman creatures who are either a threat to -- or threatened by -- humanity. Their would-be caretaker is Dr. Helen Magnus (Amanda Tapping), a Victorian scientist who not only managed to bend the laws of physics with her unusual longevity but also inherited the Sanctuary from her father, who made it his life's work to protect and defend creatures from a world that would harm, kill, or abuse them. Accompanying her on this mission is her no-nonsense daughter Ashley (Emilie Ullerup), and her adopted computer whiz son Henry (Ryan Robbins), whom she rescued from the wilds. Helen also hopes to recruit the talented Will (Robin Dunne), whose powers of observation resemble those of the great detective Sherlock Holmes, into her fold.

 

Fascinated with the world she has revealed to him, Will quickly adapts to life at the Sanctuary -- escaped inmates, a Big Foot butler, and all, but soon discovers Helen is not the only game in town. A rival organization known as the Cabal has made it their mission to control or destroy all the abnormals, and when the team steps on their toes more than once, launches a war against them. Helen's former associates and friends soon begin to emerge from hiding, including three of the members of The Five, a small group of scientists from the Victorian era devoted to experimentation. Dr. Watson (Wingfield), the inspiration for the famous literary detective, an electricity-wrangling vampire-inventor named Nikola Tesla (Jonathon Young), and Helen's former lover, John Druitt (Christopher Heyerdahl), whose powers of teleportation caused him to go on a murderous rampage in Whitehall.

 

Sanctuary is the first completely computer-rendered television show on the market, as 97% of it is shot against a green screen. This not only provides an extra challenge for the actors but allows for incredible panoramas and wide shots. From the depths of the Bermuda Triangle to the caverns beneath an ancient civilization, most of what you will see in the background is all fake. Most of it is astonishingly realistic and the special effects are fantastic. The series starts out with the web episodes, altered and reshot slightly to make them more cable-friendly, but once it moves beyond the original script, the creativity and mythology behind the characters explode into one surprise after another. By the seventh episode, in which Tesla and his army of "dumb as tree stumps" vampires turned up, I was in love. If you are a sci-fi fan, this will blow your mind. It resembles the British production Torchwood slightly, but it far better written and much cleaner.

 

Content is never a huge problem but mild language intrudes on occasion and there is a great deal of violence. That itself is not as disgusting as some of the carnage. Severed limbs and bloodied stumps, disintegrating carcasses, and seeping leg wounds are present in "Nubbins," and "Instinct." Mermaids in tatters are seen in "Requiem." A character has a fist put through his stomach in "The Five." The Ripper murders a prostitute on two occasions. Helen engages in several gruesome autopsies. In "Warriors," she attempts to extract a beetle that has been injected into a man's spine. (We see another man also being infected.) Sensuality includes innuendo in "Nubbins," when a group of furry creatures heightens the sexual awareness of everyone in the building. In the last two episodes, a young woman's bare back and part of her bare breast (from behind) are shown. (She has the power of invisibility, but only when naked.) She persuades Will to strip to his boxer shorts for her own amusement.

 

One of the best things about the series is its snappy dialogue and witty banter. Each character is different and unique but most of them have a good comeback for every occasion, particularly Tesla. If you decide to give the series a chance to impress you, watch at least a half dozen episodes, as it continues to improve and delivers most of its excellent material toward the end of the season. It's also not only your chance to see literary characters in a modern setting, but also meet one of the finest leading ladies ever penned. Once you encounter her, I don't think you will ever forget Helen Magnus.

   

    
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