|
SKIN
WALKERS
REVIEWED
BY CHARITY BISHOP
Our
rating: 2 out of 5
Because
of: violence
Rated:
I
am not a huge fan of the werewolf genre but Skin Walkers
might just be the best film I have ever seen on the subject.
True, some of the logic is missing and it seems at times
more like a horror piece than a series look at the legends
behind skin walkers, but it's extremely well acted, scored,
and the CGI is awesome. In a word, it's cool.
For
centuries, the family of twelve year old Timothy (Matthew
Knight) has been torn apart by a horrific curse: they are
werewolves, destined to transform beneath a full moon and
ravage the countryside in an eternal quest for blood. Some
skin walkers give in to the urge, feed on human flesh, and
become savage, unrecognizable characters of darkness, while
others resist their natural urges, chain themselves away
before the moon rises, and hope for the solution that will
inevitably save them -- the coming of a boy destined to end
the curse. That boy is Timothy, ruthlessly hunted by his
enemies, lead by the bloodthirsty Varek (Jason Behr).
Attempting to protect the boy until his thirteenth birthday,
when he will be able to break the curse, are the extended
members of his family -- his uncle Jonas (Elias Koteas), his
cousin Katherine (Sarah Carter), and her boyfriend Adam
(Shawn Roberts).
The
only person who does not know the truth is his mother,
Rachel (Rhona Mitra), until Varek and his companions show up
and blow the town to pieces, managing to kill several
members of her family and forcing them to escape in the back
of a van driven by their trusted friend Will (Tom Jackson).
Time is running out and all of their lives are in peril, but
the most important thing to is make certain Timothy lives
past midnight. The result is a big-scale action film with a
tight budget that did not waste a single cent. The scenery
is gorgeous. The acting is fabulous. The fight scenes are
fantastic.
It's
fairly safe to assume that if you are not a fan of these
style of films, which include such titles as Underworld
and The Coven, you probably will not like what you
find here: it's all humans morphing into vampires, big scale
battles with silver-lined bullets, and occasionally
traumatic deaths even though the ending is surprisingly
positive. The script is fairly simple but that allows the
audience to follow along without much effort and lose
themselves in the special effects and character development.
With an amazing lack of conscious thought, I realized that I
knew a lot about the main individuals and cared what
happened to them. There are a couple of twists that you can
see coming, but the film tries its hardest to remain light
on content and stays within a PG13, even though there is
some language and violence, not to mention implied sexual
content. In order to get the rating, portions of the movie
were edited down to reach a wider audience, but one partial
f-word remains, along with a use of GD.
A
nude sex scene was removed but head and shoulders shots of
it still remain, shown in fast flashes during a montage of
bad werewolf behavior -- violence, feasting, and fairly
steamy sex against a wooded backdrop. There is a ton of
violence but none of it is overly gruesome -- we know people
have been shot and killed, but there is no blood spatter or
graphic bullet impact. Characters are shot at close range;
dead bodies are found in a hospital. Sometimes a fist will
swing or a bullet fly toward the camera before all goes
black. There is a big body count. A hawk flies into a car windshield,
causing a horrific crash. One man has his neck broken.
All
of the good guys risk their lives to make certain Timothy
lives through his ordeal, and certain of the villains also
display momentary flickers of compassion. In the end,
Timothy represents something of "salvation" for
the werewolves who choose to transform into humans once
more. It's a stretch to find the Christian parallels, but
they are nevertheless present in the selfless actions of the
child, who believes some good can be found in even the
blackest of souls. When confronted with killing someone to
save himself, Timothy chooses not to, a remarkable decision
from such a young boy. It's not a movie that will be
remembered by the masses, but one that for fans of the genre
is not likely to be soon forgotten.
|