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THE
SKULLS
REVIEWED
BY CHARITY BISHOP
Our
rating: 3 out of 5
Because
of: brief sensuality, language, violence
Rated:
This film is rather like Brokedown
Palace in the sense that it is a story full of twists and turns which
all eventually comes
down to a dynamic and powerful conflict between best friends. It's also a dramatic
and promising story of betrayal, trust, truth and suspense that seeps through
the capable fingers of director Rob Cohen (Dragonheart).
The ominous opening sequence tells us college sororities have always
existed in elite and secret groups that build their members into deliberate power
plays.
"Every year at certain
Ivy League colleges, an elite group of students is chosen to join Secret
Societies. Unlike fraternities, these Societies conceal their actions as they
mold the leaders of the future. At least three U.S. Presidents are known to have
been members. The most powerful Secret Society has always been... The
Skulls."
An elite organization who opens its doors only to a few promising youth each
year, The Skulls has their eye set on the high school's most promising young
rowing star, Luke McNamara, an orphan with a misspent youth and a few faithful
friends in his roommate Will Beckford and could be girlfriend Chloe. Faced
with the challenge of raising money for college tuition, Luke finds The Skulls a
possible answer. Will cautions him with "anything that's secret and elite
can't be good." But the lure of ominous stone hallways and secret
ceremonies
as well as the wealth and lavishness of a society above his own is too much for
him to resist and Luke enters the society.
Secrecy is the ultimate rule in this gathering
where Skulls' rules
override those of the outside world. Luke's friendship with Will is badly
shaken as a result. Each new member is given a soul mate, a protector, a
companion, a best friend in this journey of adulthood. Luke's is the wealthy son of the
Skull's most prominent member, Caleb Mandrake. They are well
paired, unalike but equal. Despite
Caleb's struggle between his own desires for the future and an overbearing
father, they become close until something violently drives them apart.
Presented with an impressive banking account, college tuition, prominent, enthralling promises of the
future and even a new set of wheels, the dream world
is shattered when Will Beckford is murdered... and Chloe reveals he was
secretly working on an exposé on the Skulls.
It's suddenly become a deadly world of secrecy and lies. As Luke struggles to reveal truth, he overturns a shocking and evil set
of cover-ups and betrayal that could prove more than thrilling... it could be
deadly.
With nowhere to turn, nowhere to run, and no one to trust, Luke must
rely on his own ingenuity to reveal Will's killer... and escape the nets that
are being woven around him... before it's too late.
The Skulls
doesn't have the spine-tingling intense thrills of Frequency
or even the unfolding trail of intrigue of The Net
but it is a tantalizing and often explosive thriller with a cast of familiar
faces and all the draw of teenage star-power. There's no gray areas in this
film... everything is strictly black and white. Violence is a necessary but regrettable
way of handling things. Unlike films that glamorize violence (Mission:
Impossible) or applaud criminals (Entrapment),
The Skulls strikes out views evil very seriously. Rob Cohen went all out in
expressing the creepiness and yet enthralling beauty of a secret world of
deceptions and lies, from the breathtaking landscape to the sinister orientation ceremony in which each member is branded with
a trademark skull.
This is not a film for the faint of heart, for it does involve
intense sequences of car chases, explosions, shootings, beatings, and games of
hide-and-seek as well as the mildly graphic murder of Will Beckford. (He's
found hanging in his room but it is later discovered that his neck was broken -- we
view the actual murder on a grainy surveillance tape.)
Language is present but not overly offensive, the most cringe-worthy being one
each of "Jesus," "for Christ's sake," and one GD. There's also some fist fighting, mild drinking, and a scene of
implied sex. (All we see is a passionate make-out session between Luke and Chloe
in a steamy bathroom.)
But even with these mild cravats
it's a good film and a surprisingly clean thriller.
Some of the camera shots are a bit lame and they could have come up with a
better soundtrack, but it packs enough excitement into two hours to carry off
the few longer moments. Definitely not a good one to see while the kids are
around, but for a teens seeking a thriller it definitely packs a punch.
©
www.charitysplace.com
- all rights reserved.
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