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THE
MAN FROM SNOWY RIVER
SEASON
FOUR
REVIEWED
BY CHARITY BISHOP
Our
rating: 4 out of 5
Because
of: thematic elements
Rated:
The
final season of The Man from Snowy River saw a lot of absences and
said many farewells, but also offered audiences several unexpected twists
and numerous feel-good moments. With
Kathleen abroad attending to family matters, Matt McGregor (Andrew Clarke)
and his family are facing a bitterly cold winter in the high country.
Quiet life at the small ranching community of Patterson's Ridge is soon
interrupted by the appearance of Duncan Jones (Hugh Jackman). Tormented by
his past and deeply troubled about the future, Duncan is taken under the
wing of the McGregors and also American spitfire Montana Hale (Gabrielle Fitzpatrick).
Her affection for him becomes problematic when it comes to her on-and-off
romance with Rob (Guy Pearce). To make matters more difficult, the arrival
of Jessie McClusky (Josephine Byrnes) sends the town into an uproar. A
woman with a rumored disreputable past, most of the churchgoers want her
to leave town, but most mysterious at all is the animosity Emily McGregor
(Sheryl Munks) holds for her. Rob's
return from a cattle drive places him and Montana in new territory with
regards to their relationship, and the return of a now-penniless Victoria
Blackwood (Amanda Douge) further complicates matters. Through it all, and
the trials to come, which include renegades taking over the town, Colin
(Brett Climbo) being forced to defend family honor, a man turning up to
claim Colin and Emily's adopted son, and the birth of Emily's first child,
Matt remains the cornerstone of the family and of the town. Wild dogs,
traveling gypsies, and broken hearts are just a sample of what is to be
found in the last thirteen episodes of a television show that won
Australian hearts. While it's true that it suffers most from the absence
of Wendy Hughes, season four ultimately wins the hearts of all who watch
it. The introduction of Jesse is nothing short of brilliance, a kind of
mild replacement for Kathleen but with a much darker past. Most
of these episodes aired when I was young, and I never got to see all of
them, most particularly the conclusion of the dramatic two-part series
finale. Those two episodes alone are worth their weight in gold, to say
nothing of some of the other fabulous moments in the show. Reconciliation
and loss, misplaced love and newfound friends, from one moment to the next
the series remained honest and upfront about its belief that family is
important. Even though they spat a little bit, the McGregors truly love
one another. All of them make mistakes, but are always prepared to help
one another along the way. The only downfall of this season was its
fast-moving romantic switches, which left me wondering just why Montana
was written out. It might have been to pave the way for one last
appearance by early seasons' favorite, Victoria, but seeing Montana and
Rob trade such fickle emotions and attractions kind of lessened the
impact. There
is a little more content than previous seasons, but nothing that bears
mentioning in detail. Jessie is rumored to be a former Madame of a house
of prostitution, something that is occasionally thrown into her face. When
renegades take over the town, they make mild threats toward her, implying
that if she doesn't send out some of her "girls," they'll take
her instead. Jessie runs a clean establishment, and we never learn the
details of her former life in mining towns. Several episodes feature mild
innuendoes. There's one slang profanity -- "bleeding," and a
fair amount of violence. Fist fights, runaway horses, gunfire, and
occasional slaps, none of it gratuitous or inappropriate for children.
Thematic elements involve a shoot-out, a deranged woman holding people
hostage, and a handful of deaths and departures. One fantastic episode
also includes an appearance by Death, played by a sinister woman in black. I
am rather sorry to be closing this chapter on the McGregors, and consequently,
on a memorable part of my childhood, but now that the four seasons are out
on DVD (through Australian manufacturers only) I can revisit Patterson's
Rige time and again, and hopefully introduce a new generation to the
values and virtues of the McGregors.
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