Star
Trek, Season One (1966)
Our rating: 4 out of 5
Rated: TVPG
reviewed by
Charity Bishop
In the late 1960's, a legend was born. It came in
the form of Star Trek, one of the most
beloved and often quoted "geek shows" ever to hit
the airwaves. I went in expecting corniness and
instead came to realize that many of the series I am
most fond of were inspired by this classic saga of
adventures in space.
The Federation star ship Enterprise is on a
five year mission to explore distant galaxies and
make contact with alien planets and technologies.
Their most recent assignment is to visit planet
M-113, where one of their scientists is studying the
remains of an ancient civilization. Captain James T.
Kirk (William Shatner) looks forward to making the
acquaintance of Dr. Crater and his wife, who is a
former flame of his first medical officer, Dr. McCoy
(DeForest Kelley). Beaming down to the ruins, McCoy
is shocked to discover that Nancy has not changed at
all since their last encounter, many years earlier.
Not only that, her appearance to each of the crew
members is slightly different. When various men
start turning up dead with strange markings on their
skin and their bodies drained of salt, McCoy,
Captain Kirk and his half-human, half-Vulcan second
officer Spock (Leonard Nimoy) must discover the
origins of this deadly disease and prevent it from
reaching more crew members.
There are many more adventures, threats, and
mysteries to be found in distant galaxies, and the
intriguing and colorful crew of the Enterprise will
encounter them all -- from psychic threats to
literal green eyed monsters. In each episode, Kirk
and his companions face a new and different kind of
threat, which is fought off with common sense,
intelligence, and stun guns. I approached this
series expecting it to be poorly written and badly
executed -- I should have known better from a series
that has gained such a cult following in syndication
over the years. The special effects are somewhat
dated, as is the atrocious color scheme, but the
scripts are mostly well written (there are a few
"stupid" episodes) and the cast is marvelous. The
first season contains a mixture of adventures
ranging from wild and exotic distant lands to
threats closer to home and strengthens as it goes
on. It engages the audience and once you become
accustomed to the form of storytelling and the
limited backdrops you are free to find the
characters memorable.
Viewers usually have a preference for Spock or
Captain Kirk -- one logical, the other more inclined
to fall for a pretty face (and he often does!). Some
of the best episodes showcase their different
approaches to the same situation or remind the
audience of the strength of their friendship. It is
also interesting to note the underlining social
commentary apparent in certain aspects of the plot
-- a utopian existence on board ship in which
different races coexist without antagonism ... but
Spock is constantly challenged and/or harassed
because of his half-Vulcan status. All humans have
reached tolerance but that excludes pointy-eared
aliens. In many ways, anti-racism is the prevailing
message of the series, since it intrudes in
arguments and even on occasion pushes the normally
unemotional Spock to violence. Unsurprising
considering that the producers had to fight for the
right to hire a black actress for a main role. Other
episodes hint at various budding movements during
the era (one parallels an early concept of the
"peace and love" movement when the crew are all
drugged on an alien planet by flower spores that
make them docile and affectionate toward one
another).
Having run on primetime television during that
particular era, there is not a huge amount of
content in Star Trek. There's no language
to speak of and the violence is all restricted to
hand-to-hand combat, stun weapons, and the
occasional dead body. Immodesty turns up frequently,
however, when it comes to the women involved -- the
females on board ship wear very short miniskirt
uniforms with similarly colored underpants. Guest
females often wear revealing clothing (bare backs,
sides, portions of their stomach, legs, etc) and
often attempt to seduce and/or trade passionate
kisses with various crew members. There are some
stronger implications, though -- in "The Enemy
Within," an evil duplicate of Kirk attempts to force
himself on a female crew member (she fights him off,
scratching his face and screaming for help). The
gang come upon a woman who has had her uniform badly
torn in an attempted assault in "Shore Leave." And
in "The Menagerie," a man is trapped in an alien
world in which he is treated like an animal in the
zoo -- his captors hope to convince him of the
beauty of the woman trapped there with him, so he
might reproduce with her.
One more thing more conservative viewers might find
a bit alarming is the amount of telepathic
communication that transpires within the series as a
whole -- Spock, being half-Vulcan, is able to "mind
meld" with whatever he chooses -- human or not. He
uses this talent sparingly but other creatures are
not so careful. They manipulate, torment, and
occasionally kill with their psychic abilities.
While the series might seem a bit absurd by today's
standards, there are some fun and unique episodes
and throughout are not only great character
interactions (McCoy and Spock's incessant bickering,
Kirk teasing Spock about his "non-human emotions,"
and Scotty talking baby-talk to his machines) but
some genuinely hilarious episodes: "Shore Leave"
involves a planet that duplicates whatever you are
thinking about (McCoy runs across a giant white
rabbit being chased by a little girl in a blue
pinafore) and "This Side of Paradise" has Spock
acting out of character (laughing, climbing trees,
and behaving romantically). But there are also
sadder moments (one episode involves time travel and
the death of someone Kirk becomes fond of). Whether
you are a new fan or an older one of the genre, you
will find Star Trek a charming throwback
into a different era of television far ahead of its
time.
|