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THE
FINAL INQUIRY
REVIEWED
BY CHARITY BISHOP
Our
rating: 4 out of 5
Because
of: violence, thematic elements
Rated:
This
film was originally released in Spain two years ago, until
being picked up by a branch of Fox Faith, the new collection
of films generated toward Christian audiences. Based on an
original short story, it revolves around the aftermath of
the crucifixion of Jesus and the lives that are touched by
the influence of His followers.
Tabitha
(Mónica Cruz) cannot find her parents one afternoon. The
skies are darkening and there have been several earthquakes
in the region, but she refuses to cease searching for them,
stumbling through the crowded streets only to stop in horror
at the sight of her mother crouched at the foot of the
stoning wall. She has been caught in adultery with a Roman
and must be killed, and Tabitha's Pharisee father (F. Murray
Abraham) is the loudest of her accusers. As stones rain down
on the helpless woman, Tabitha is dragged away screaming,
only to have the crowd scatter as the earth trembles, a
quake that reaches as far as the island of Capri where the
Roman Emperor Tiberius (Max von Sydow) is spending the last
years of his life. Curious as to the meaning behind these
odd happenings, he sends word for his most trusted soldier
to come to him at once.
Fighting
for the preservation of Roman occupation of foreign
territories, Tauro (Daniele Liotti) is surprised to be
pulled from the heat of battle and sent to Jerusalem, a
snake's pit of boiling political discontent and religious
upheaval. He is on a secret mission to discover whether or
not the Jewish Messiah known as Jesus has truly risen from
the dead. Though he travels without accompaniment
apart from his servant Brixos (Dolph Lundgren), it is well
known to Pontius Pilate (Hristo Shopov) that a secret
inquisitor has come to spy on his administration.
While
the two men wrangle from their positions of power and Tauro
attempts to discern the truth by finding believers where he
can and questioning them as to whether or not the body of
their savior was moved from its resting place, he also meets
and slowly begins to fall in love with Tabitha, who, unknown
to her father, has decided to follow the Christian faith.
For
the most part, this is a decent story and is surprisingly
good despite the inadequate budget and awkward dubbing. It's
so carefully done that it's hard to tell except in certain
scenes, and yet the voices that Fox chose for the task are
so far off the original actors that they sound too high
pitched. Shopov in particular (whom audiences will know as
the Pilate from Mel Gibson's film The Passion of the
Christ) has a wonderfully deep and magnetic voice, and
whoever dubbed him reminds me of a chipmunk. In that
respect, I wish Fox had offered alternative ways to view the
film -- dubbed or in its original Spanish with subtitles,
since the acting suffers somewhat as a result, as the voices
were attempting to match the lip movements and sometimes
this makes the dialogue stilted or slow. I imagine the
original vocal track is far superior in that respect.
The
fighting scenes are painfully staged and look fake and the
dialogue is also at times woefully out of period. But the
acting is good and the chemistry between Tabitha and Tauro
is wonderful. It was fun for me to see so many faces and
names brought forth from the Bible. We witness the capture,
trial, and punishment of Stephen, as well as the callous
behavior of Saul of Tarsus (one day to become Paul). Names
like Lazarus and Judas are bandied about, but we are able to
meet Mary, Simon Peter, Claudia Procula, and Caligula,
played wonderfully by a scenery-chewing Vincenzo
Bocciarelli.
I
must say that by far the best portion of the film is in the
last fifteen minutes, when he takes measures to obtain the
throne of Rome and puts into motion the first measures of
oppression against the Christians. Shopov is a somewhat more
caustic Pilate this time around, and events do tend to stray
slightly from historical and scriptural representations, but
it maintains a good pace and throws in many surprises along
the way. I did not expect several events in particular to
transpire and at all times I was concerned for the
characters' welfare.
Parents
should be forewarned that there are a lot of serious themes
explored in the film. I was surprised how much violence was
involved, in particular that we bear witness to two separate
instances of death by stoning, in which we see the rocks
strike the victim's head. Saul kicks Stephen repeatedly
while he lays on the ground, bloodying his face in an
attempt to provoke his brother into violence. An early scene
depicts the Romans destroying a camp and killing their
opponents; Tauro stabs one man several times in the chest.
In a skirmish over what he believes to be the body of Jesus,
other men are killed. A main character takes an arrow to the
chest. A man loses his temper and beats his daughter nearly
to death with his staff (we see one blow but not the rest).
A man is smothered. Tabitha is threatened with rape, but is
saved.
Various
attempts are made to disprove Jesus' resurrection (staging a
false return from the dead, the discovery of Jesus' body)
but none of them quite stick. It is not a wonderful film by
any means, and I wish Mel Gibson had done it, for it would
have been absolutely outstanding with a bigger budget, but
it's entertaining and informative and will touch your heart
if you let it.
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