THE
NOTEBOOK
REVIEWED
BY CHARITY BISHOP
Our
rating: 2 out of 5
Because
of: nudity,
sexual content
Rated:
Nicholas
Sparks' novels have always made me cry. He has a wonderful way with words,
and a beautiful insight into love stories, writing them with such
poignancy that it leaves female audiences breathless. Films made from his
best selling books do the
same thing. The Notebook is a touching but unfortunately indecent
film about two childhood sweethearts. The story is
told through the perspective of Duke (James Garner), a resident in an old
folk's home, reading from a weather-beaten
notebook to a female resident (Gena Rowlands) about two young people in the 1960's.
Allie (Rachel McAdams) is a city girl with big dreams and an independently
wealthy family. Slightly snobby and liked by all the boys in town, she
won't look twice at Noah Calhoun (Ryan Gosling) until he climbs up the Ferris
wheel and begs her to go out with him, threatening to kill himself if she
declines. That
momentary agreement transforms into puppy love as Allie discovers that
Noah shows her a side of life she's never seen before:
one in which anything is possible, dreams are wishes
that your heart makes, and spontaneous sweetness
brings a smile to her face and laughter to her throat.
Puppy love then progresses into
the real thing, but Mom and Dad aren't too pleased with their daughter's
choice in men. They shuffle their beloved daughter off to boarding school
to find a blue-blooded husband, while Noah becomes involved in the second
world war. Her many letters aren't responded to. Eventually she gives up
on the youthful romance and settles for Lon (James Marsden), a respectable
boy just like the one her parents wanted her to find.
In the meantime Noah
goes into warfare and returns home a hero, but cannot dispel the ghosts of
former love. The two are reunited one summer shortly before Allie's
wedding and must choose whether to re-ignite their passion or move on with
their lives. There's not really a lot of guessing involved as to which
they'll choose, but it doesn't much matter. The story, while being tainted
with an overload of objectionable content, is still good at its heart.
Obviously
a lot of love has gone into this production and it turns out a well-scripted
storyline with likable characters and charming scenes. It's picturesque
and breathtaking from beginning to end, opening with a spectacular lake
sequence, and beautiful cinematography on the love
scenes.
The contrast between the old couple and the young is well done,
shifting back and forth without losing the audience. Well-known older
actors give it their best, but the real gems here are the leading roles.
Ryan Gosling has made his name from portraying teenage psychopaths. He
stalked Sandra Bullock in Murder by
Numbers, and made critics sit up and take notice with the highly
controversial The Believer. This time
he proves what every teenage girl already knows -- that he can also do
down-home charm and romance. This young man is going places, but is only
slightly more remarkable than his co-star. When you're not smiling, you're
blinking back tears. Expect them to flow like a waterfall before the
unexpected and beautiful conclusion. Some things are
foreseen but the way in which they're presented, never
become clichéd.
It's
a pity therefore that this movie isn't recommendable
simply for the rampant sexual implications, content,
and nudity. Other issues are minimal with only some
mild battle violence and a handful of profanities
(including three of GD), but filmmakers have gone
overboard in creating steamy love scenes. Noah and
Allie very nearly have sex on one occasion (they're
interrupted, but not before stripping and rolling
around on the floor) then later, when she's engaged to
another man, go through with it. The scene is lengthy
and graphic, with partial nudity and movement. It lapses into a passionate two-day
"love affair," with several more instances
of implied intimacy. Allie often leaps into Noah's
arms and wraps her legs around his waist while they
kiss. While trying to get over Allie "abandoning
him," Noah carries on a relationship with an
older woman. He's seen curled up in her bed, but she's
not displeased when he moves on. Army privates are
seen nude (their hands block their crotches). There
are some immodest outfits, and mildly sensual
behavior.
While
movies of this nature could be called
"sentimental rubbish," there's more to learn
here than just the early flutter of young love. This
relationship lasts through trials, suffering,
arguments, and long years apart. We see not only the
youthful passion of two souls, but also what becomes
of them: a love that is never shaken even when one
succumbs to Alzheimer's. That's what makes the viewer
cry, and that's what makes The Notebook good at
heart. It's far from perfect, but there are good
lessons to be gleaned from its yellowed pages.