Once again, Kevin Sullivan has pulled off an engaging,
nostalgic, family-friendly TV series reminiscent of his popular Road
to Avonlea, though this time with a more serious bent. Set in
Ontario, Wind at My Back follows the lives of the Bailey family
as they struggle to stay together in the midst of the Great Depression.
Hit hard by the economic crash, Honey Bailey (Cynthia
Belliveau) is finally forced to close her treasured store, the only
source of income for her family. She and her husband (Dylan Provencher)
are left with no choice but to move their two sons, Hub and Fat, and
baby daughter, Violet, to beg employment from Honey’s mother-in-law, Mae
Bailey (Shirley Douglas). A domineering matriarch and proprietress of
the family silver mine, Mae Bailey virtually disinherited her son after
his marriage to a woman she did not choose. Despite the desperate times,
she refuses to acknowledge her son and his family beyond allowing them
to live in a small cottage she owns.
When
tragedy strikes, Honey is left with no alternative but to leave her
children under Mae’s care and leave in search of work. Determined to now
control her grandsons’ lives, Mae makes life miserable for the two boys.
The one light in their life is their single, whimsically charming Aunt
Grace
(Kathryn Greenwood),
who is searching for the courage to break free of her mother’s control.
Like in Avonlea, there is no sexual content and virtually no
language. There is, however, a fair amount of violence: a man dies in an
accident, a shed explodes, a boy accidentally hacks his leg with an axe,
and a neighbor shoots the boys’ dog. Hub and Fat spy a teenage boy who
is about to harm a girl, and heroically leap to the rescue, but the
older boy falls on some rocks and (presumably) hits his head and dies.
Set during the Depression, families are struggling for
survival, and we see a fair amount of homeless men hopping from train to
train. Honey’s brother is involved in a swindling business, but she
strongly chides him for his methods, and ultimately, he makes the hard
decision to make correct all the damage he has caused. Honey’s intense
struggle to keep her family together under the pressures of a failing
economy and a controlling grandmother could make this series
overwhelming for younger children. However, the importance of family is
stressed, as the boys show an intense and loyal love for their mother
and younger sister, and, despite initial tragedy, new love does enter
the family in the form of a kind teacher. Grace develops the strength to
stand up for herself and follow her dreams while, ultimately, Mae must
learn to accept her family for who they are. Despite the serious themes,
Sullivan still manages to throw in episodes of humor, while sustaining
the visual splendor, beautiful soundtrack and top-notch acting.
All in all, this is a high-quality, memorable family series that will
not fail to move your heart and wet your eyes.