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REVIEWED BY CARISSA HORTON
Our rating: 4 out of 5 Because of: thematic elements Rated:
Young Heathcliffe (Rex Downing) is a child completely alone in the world, no family or friends, and no one who cares whether he lives or dies. That is until a kindly old gentleman takes pity on the lad, and brings him home to Wuthering Heights manor as an extended member of the family. The gentleman’s only son and heir, Hindley (Douglas Scott) is a spoiled and selfish youngster with no regard for others not even his own sister, Cathy (Sarita Wooton). He immediately assumes Heathcliffe desires to take his heritage and birthright from him, though the thought would have never entered Heathcliffe’s mind.
As children, Heathcliffe and Mistress Cathy become swift friends, even more so with Heathcliffe loving her in spite of his young age. One particular area of the moors became a favorite place for them, a place they called their castle, with Heathcliffe as king and Cathy as queen. Here they swore they would forever be friends. Sadly, things did not continue in this happy, enjoyable way for young
Heathcliffe. The children’s father finally died of an illness, leaving Hindley as the new master. His fury with Heathcliffe had not lessened, so in dark
revenge Hindley forces the boy who had been raised as one of the family to become a servant in what was once a bright household.
The years pass with the children maturing into adults, and Hindley (Hugh Williams) not suspecting the continued friendship shared between Heathcliffe (Laurence Olivier) and Cathy (Merle Oberon), nor the growing love which expands with time.
Heathcliffe can think of no other except his beloved Cathy, and for a time Cathy feels the same, loving Heathcliffe with a passionate desire.
Yet Cathy has always had a yearning for a better life, to have a revered and respected position, and Heathcliffe cannot give it to her, as she slowly comes to realize. With her emotions bouncing continually between loving Heathcliffe and despising him, he falls more and more into a desperate despair.
The violence in this film, though not much, can be disconcerting. Heathcliffe shoves his hands through a window in an effort to purge the dirt from his skin, which he believes has come between him and Cathy due to his low position. Young Hindley throws a rock at Heathcliffe and actually knocks the boy out. Cathy, as a child, takes her riding crop and whips her brother a few times, though she makes almost no impression. Then there are the romantic undertones throughout the film. Even as a boy, Heathcliffe is in love with Cathy, and his emotions only grow when he becomes a man. He and Cathy share several kisses, one before he
leaves and some after he returns and she is already married. However, it is never implied
they slept together or even would have given the chance.
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