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X-MEN
III
REVIEWED BY CHARITY BISHOP
Our rating: 3 out of 5
Because of: violence, language, sensuality, thematic elements
Rated:
They come in
all shapes, sizes, and forms. Mutants capable of manipulating their
appearance, taking flight into the skies, sustaining bullet wounds,
controlling water and fire, and threatening the future of mankind as we
know it. Most of the world calls them freaks. But for X-Men fans,
they're heroes, and it becomes one final climactic battle that will
forever alter the course of mankind.
Twenty years
ago, Professor Charles Xavier (Patrick Stewart) and his trusted friend
and colleague Eric Lensherr (Ian McKellen), later known as Magneto, came
into contact with a child that possessed stronger powers than either of
them had ever before seen. The gifted little girl was Jean Gray, and her
heroic sacrifice to save the others from a catastrophic event still
haunts the lonely school corridors. Her lover Cyclops (James Marsden)
has taken a turn for the worse, prone to melancholy and fits of
uncontrolled emotion. Xavier fears he is not the man he once was, and
entrusts the future keeping of his School for the Gifted in the skilled
hands of Storm (Halle Berry).
With
a new president in office that fully respects the mutant population and
their advances, it seems the mutants have nothing more to fear from the
humans. Acting as a liaison between mutant and human is the seemingly
mild-mannered Dr. Hank McCoy (Kelsey Grammer), but not even he can
sustain the devastating insult of a local scientific discovery that can
return the mutant gene to normal, permanently "curing" all mutants. Some
welcome this opportunity to be like the rest of humanity, while others,
including Magneto and the Brotherhood, believe it is nothing more than
the first step in a futuristic holocaust intended to wipe out their
population. When they unleash war upon mankind, it is left up to the
X-Men, made up of Wolverene (Hugh Jackman), Iceman (Shawn Ashmore),
Shadowcat (Ellen Page) to save humanity.
In the midst
of this chaos, a newly restored Jean Gray (Famke Janssen) is returned to
them, but Xavier fears her darker side has been unleashed, and Magneto
intends to use her as his mightiest weapon in the battle over the fate
of mankind. It's not to say there's not plenty to like about this third
and final installment in the X-Men series, but it doesn't seem to pack
as global a punch as the others. So much screen time is devoted to
impressive action sequences that much of the emotion of new characters
is lost. There are still some great character moments (Iceman and
Shadowcat skating together on a frozen water fountain, while Rogue looks
down on them from the mansion; Storm telling Wolverene to pick a side
and stand by his choice; and particularly as one former friend watches
another suffer and die) but we know almost nothing about the new
players. Angel (Ben Foster) is a potentially fantastic character that
barely has a half hour of screen time, and never with much depth.
There
were also numerous deaths, losses, and other unexpected wrenches thrown
into the works. I cannot reveal them without giving away major plot
points, but I was shocked and horrified with where some of the
characters wound up. It also lacked the structure and "one-ness" with
its predecessors, choosing to skip over the common creed we know and
love and approach it as a stand-alone project. That being said, it was
an adrenaline-packed and often harrowing glimpse into the final chapter
of a saga fans have grown to love. If you have seen the other films, you
know the level of violence involved, and this one has plenty of gruesome
and/or traumatic moments. The latest means of killing people is some
kind of psychic intervention where they "shatter," as they slowly
disintegrate.
Humans are
shot at and blown up; they are tossed into the air and explode into
dust. Cars spin and tumble, crunch and smash into oblivion as Magneto
uses them for ulterior purposes. Individuals are shot, stabbed, hit with
darts that transform them into humans, and thrown through windows. Mild
profanities pop up, along with two uses of a derogatory term for women,
and one crude name for the male anatomy. The film doesn't have as much
Mystique sequences, but like the others, has several shots of her naked
body covered in blue prosthetics. She transforms into human form, and
the audience gets a lingering glimpse of her lying naked on the floor
(her arms and legs obscure intimate details). Jean and Wolverene make
out heavily on an exam-room table; she wraps her legs around him and starts to
undress him before he realizes she's not herself.
I have mixed
feelings about this final installment. Part of me is disappointed that
it wasn't up to the standard of the previous two (arguably, the second
film is the finest), and I also feel an immense sorrow because some of
the characters I know and love are now gone. They have either chosen to
become normal, been forced into it, or killed off in dramatic ways.
Either way, it is an emotionally explosive conclusion. Also, stay to the
end of the credits, for a jarring thirty-second scene that leaves you
believing that it may not be over yet.
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