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ATONEMENT
REVIEWED BY
CHARITY BISHOP
Our rating: 3 out of 5
Because of: sexual content, language, thematic
elements
Rated:
Most of the
advertisements in mainstream media have been dubbing this the most
"romantic love story since Titanic," but I did not find it as
romantic as it is dull. There is not much chemistry between the leading
couple and the style of filmmaking does not assist the bland screenplay
much by its erratic and unusual camera focuses.
There is
nothing more thirteen year old Briony (Saoirse Ronan) loves more than to
make up stories that she cannot seem to get anyone else in the house to
reenact with her. The latest work is one of romance and adventure and of
little interest to the rest of the children in the house, consisting of
a pair of unruly twins and redheaded Lola (Juno Temple). When her
attempts to involve them come to naught, Briony is forced to take a
greater interest in what is transpiring about her, namely the budding
attraction between her older sister Celia (Kiera Knightley) and Robbie
(James McAvoy). Most of their interludes are fraught with her ignoring
him, or violent quarrels that end in one or other storming off to the
far end of the house. From Briony's perspective, their relationship is
tempestuous and hateful at best, but in reality tension has been
building between them for some time.
Celia
longs for something different than her ordinary humdrum existence and
the seemingly endless presence of her brother (Patrick Kennedy) and his
friend, Paul (Benedict Cumberbatch). Robbie is the only interesting
thing about the house. After one of their customary quarrels, he pens
her an apology and then places another letter into the envelope by
mistake, entrusting Briony to deliver it to its recipient, but along the
way she reads what is written there, and this causes her to make
disastrous judgments that threaten to tear the young lovers apart
forever. This incident follows Briony (Romola Garai) through the years
as she seeks to make atonement for her mistake.
If I could sum
this film up into a single word it would be "boring." Since it does have
an impressive cast list and is based on a rather popular novel by Ian
McEwan, I had reasonably high hopes for it, but the manner in which the
project is approached is so insipid and passionless that it comes across
as unemotional at best and exceedingly dull at worst. I think what ruins
the film's flow is the peculiar way in which it was filmed. First, we
see an incident from Briony's perspective and then without indication,
the film backtracks to show what actually happened with Celia and
Robbie. The film is sometimes out of focus, or shooting either at an
extreme close up or a distant wide shot. When Atonement is
good, it is excellent, but after the first half hour, we have another
hour of scenes of Robbie wandering around through Europe, bloodstained,
stumbling through a battlefield littered with bodies, etc. I actually
fast-forwarded a good twenty minutes of it waiting for something to
happen. Plus, the ending is truly depressing.
There
is a reasonable amount of offensive content present. The letter Robbie
mistakenly places in the envelope is a dirty one, and the camera focuses
in on the word c**t, leading Briony to believe that Robbie must be a
"sex maniac" to write such filthy things. She stumbles across a man
having sex with Lola in the woods; the camera catches a shot of his bare
backside before she drops the flashlight and he runs off. Briony accuses
Robbie of this crime, and the retaliations haunt her life from that
moment forward. More troubling is the several minute long sex scene
between Celia and Robbie in the library; there is no nudity, but lots of
panting and movement.
Dead bodies
riddled with bullet wounds line the beach. Horses unable to be taken to
safety are being shot point-blank in the forehead; we see them fall dead into the sand. Briony as an adult
works with a lot of injured soldiers, some of them with gruesome wounds.
British profanities are present, along with a dozen f-words and three
abuses of Jesus' name. The content might have taken a back seat to the
story if only we had believed in the romance more. I never saw any
indication that Robbie and Celia loved one another before their
impromptu tryst in the library, and therefore it was difficult for me to
accept as something of a doomed love affair.
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