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BROTHER
CADFAEL
THE
COMPLETE SERIES
REVIEWED
BY CHARITY BISHOP
Our
rating: 3 out of 5
Because
of: violence, sensuality
Rated:
My
first introduction to Brother Cadfael was through a friend
who informed me I was missing out on a grand adventure by
not reading the books by Ellis Peters. I read every single
one of them, and then gradated to the BBC series, recruiting
friends and family members along the way.
The
abbey of Shrewsbury is far from peaceful, and its
inhabitants nothing if not memorable, for it is the home of
Brother Cadfael (Derek Jacobi), a 15th century herbalist and
ex-crusader whose knowledge of medicine and the battlefield
makes him an invaluable alley to local law enforcement.
England is torn between two rampaging forces, those of King
Stephen and the Empress Maude, engaged in a vicious battle
for power. But amidst the mightier political forces at work,
there are more mundane matters to be attended to, and there
is always murder to be contended with. Against the advice of
the abbey snitches, Prior Robert and Jerome, and with the
permission of the abbot, Radulfus, Cadfael lends his
expertise to murder investigations and occasional
matchmaking, while contending with faces and memories of the
past, the discovery of a long lost son, and struggling to
bend to the authority of the church.
Many
of the episodes deviate in some form from the original
novels and this may upset puritans, but this is wonderfully
countered by an excellent cast of recurring and guest
characters. Jacobi is magnificent as the slow to anger but
excessively human Benedictine, who shows compassion when it
is needed but is not afraid to hand out a heavy talking-to
either, when one of the parishioners or even his own
assistants get out of line. Julian Firth is great as the
super irritating and always interfering Brother Jerome,
while Terrence Hardiman embodies the strong-willed Abbot
Radulfus that I loved so much in the books. There are guest
appearances by such actors as Crispen Bonham-Carter, Tara
Fitzgerald, Steven Mackintosh, Jonathan Firth, Jonathan
Hyde, and Anna Friel.
Each
episode is stand alone but build on the common themes of
warfare within England and the faces that surround the
abbey. Accompanying the series is a good deal of Middle Ages
superstition and often peculiar Catholic practices. Cadfael
has a surprisingly good grasp of what faith is actually
about and is often the voice of reason when it comes to such
traditions as honoring saints or arguing theology. There are
the occasional "bad" priests (most notably in The
Raven in the Foregate) but most of them mean well,
although audiences might be surprised to find that many of
the monks and even a handful of the nuns have a host of past
indiscretions prior to joining the church. Cadfael even has
an illegitimate son, the result of a love affair he had in
Israel during the Crusades. But only once does he give a
piece of advise that I found wanting, when he assures two
young lovers that no place is too holy for their intimacy,
after they have gone too far behind the alter. Reassurance
of forgiveness is one thing; condoning inappropriate
behavior is another.
There
are thirteen episodes in the series and out of all of them,
there are usual themes of violence, sometimes graphic and
sometimes implied, and occasional sexual misconduct. There
is always at least one murder and the motives behind it
range from personal grudges to more impacting reasons.
Characters suffer from blows to the head, knife wounds, fist
fights, bludgeoning, and other methods of death, although
the most graphic violence is to be found in The Raven in
the Foregate, in which the victim is shown hitting his
jaw on a dock as he falls through, and spitting out blood.
Severed heads also make an appearance in that episode on
pikes. A man is violently impaled in Pilgrim of Hate.
There is occasional mild language, and infrequent sensuality
that still bears mentioning.
St.
Peter's Fair displays a nude corpse face-down in several
scenes, and also intrudes on a young woman having a bath
(nothing is shown). One of the finest episodes of the series
also deals with the most horrible crime -- the rape and
murder of a young woman. Conversation revolves around it
throughout the episode. The Devil's Novice has a
sexually promiscuous wife attempting to flirt with anything
that moves. The Rose Rent is one of my favorite
episodes, but unfortunately includes a servant with
wandering hands and a man threatening to and then attempting
to rape a woman he has held hostage (they are interrupted).
Past adultery is hinted at in Potter's Field. The
worst by way of content is The Sanctuary Sparrow, in
which we observe a man forcefully bedding his bride (he
pushes her out of camera range), and the heavy implications
that an unmarried couple have had sex in the church
sanctuary. There are mild instances of innuendo and Brother
Jerome accuses Cadfael of "lustful" behavior on
several occasions.
The
series is not for very young audiences, as the crimes that
are dealt with are often very serious and occasionally
mature in nature, but young adults will find them a
fascinating glimpse into the past. The political plot lines
are not as frequent or heavy as in the novels, which can be
tedious for all but the most persistent reader, and Cadfael
translates well to the screen. Shrewsbury is certainly a
community that I will visit time and time again.
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