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CAPTAIN
CORELLI'S MANDOLIN
REVIEWED
BY CHARITY BISHOP
Our
rating: 2 out of 5 Because
of: nudity, language, gore
Rated:
Have
you ever wanted to see the world from someone else's perspective? Captain
Corelli's Mandolin is a film that dares to be different, adapted from
the bestselling novel by Louis de Bernières. At it's core is a love
story, but also a subtle revelation toward life itself. This makes for a
very charming but emotionally impacting story of selfless people caught up
in the midst of a brutal war.
Life
is quiet in the small village in Greece where Dr. Iannis
(John Hurt) makes his practice. There are rare
extraordinary cases but for the most part he is
content pulling peas out of men's ears and mending
broken arms... and occasionally taking buckshot out of
unfortunate young men's backsides. Mandras (Christian
Bale) is just such an unfortunate, having chance to
stray in the way of cannon fire at a local
celebration. The doctor's only daughter Pelagia (Penélope Cruz)
has caught Mandras' eye and he begs to become engaged
to her. Disapproving of the match because they are not
equal, Iannis threatens to give her no dowry if she
marries Mandras. Believing that their love is too
strong to be denied, she goes against his wishes and
becomes engaged, promising to marry her beloved when
he returns from the wars. Germany is taking over the
world, and Italy under the command of Mussolini has
promised to tame Greece. When
they successfully beat back the Italians, Hitler sends
German forces to support them. Enemy soldiers pour
into the village, among them Captain Corelli (Nicholas
Cage), a happy go lucky Italian whose mandolin is his
most prized possession. Obsessed with music, he and Pelagia
share an instant attraction that both attempt to ward
off. According to local laws by the invaders, each
home must house a soldier. Corelli comes into Iannis'
household, and against her better knowledge, Pelagia
begins to fall in love with him. There is also the
charming German officer Weber (David Morrissey), who
is distrusted throughout the community but is drawn to
a local girl. And then there is Mandras, who has
vanished on the battlefield. Soon Mussolini will fall.
Corelli, despite his charm and interest in humanity,
is on the wrong side.
If
I could say one thing about this film, it would be heart wrenching.
It's not tragic in the most common sense of the world,
and has more light than many films centering around
the Holocaust and resulting chaos throughout Europe.
There's a good soul at the center of the story and the
film does well in representing that the people of the
war were just that: human beings. They loved, they
lost, they experienced hatred and anger and jealousy
and love. Even the Germans had hearts. Because of
this, Weber becomes the most fascinating character. He
is sweet in many instances, extremely shy, and in
desperate need of kinship. He accepts the friendship
of Corelli and is thankful for it, even when others
shun him. This is what makes us so shaken and
horrified when he is forced to reveal that whatever
else, he is still one of Hitler's men. He believes
some humans are inferior and, because of poverty as a
child, has aspirations toward power. Many
of the other characters are just as fascinating, and I
appreciated that Mandras behaved honorably when it
came to Pelagia. Rather than seeking revenge, he
showed Corelli mercy when it was most needed. The
movie has excellent acting, a wonderful sense of
humor, and a beautiful musical score. Which is why the
content becomes so troubling. When the Italians come
to take over the town hall, the mayor sends them a
message: "F*** off." This phrase is repeated
four times. Topless girls are seen on the beach.
Corelli and Pelagia make love after declaring their
hearts; there's breast nudity on her, but nothing
beyond gentle kissing. The scene is completely unnecessary
and degrading. We get several ganders at Mandras' bare
backside as he lies on the operating table to be
examined (his pants are pulled down part-way).
Violence only once becomes gruesome: there are
numerous explosions as bombs go off, and men are shot
and killed in a crossfire. Revisionist Italians are
lined up and slaughtered with machine guns. Weber
graphically shoots one man in the head, complete with
spurting blood.
If
it weren't for the pointless nudity, I would recommend
the film as a study of life in Greece during the
invasion. Most stories about WWII take place in
England or France. It was nice to visit another
culture and see the impact on its people. Rent an
edited version.
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