Christopher
Columbus: The Discovery (1992)
cast: see review
Our rating: 2 out of 5
Rated: not rated (equal to MA)
reviewed by: Charity
Bishop
In 1492, Genoan explorer Christopher Columbus obtained permission from the
monarchy of Spain to sail across the seas in search of the Indies. What he found
instead is another world previously uncharted that changed the face of global
history forever. This film is decently accurate if at times overly melodramatic,
but is not the best depiction of Columbus' struggles and victories that I have
ever seen. In fact, it seems rather short at its conclusion, not so much because
the time limit is small, but rather because there is so much left to tell.
It is the greatest ambition of Columbus (George Corraface) to find a new
route to the provinces of Asia and India, in order to prove that the
distance between Europe and the rest of civilization can be reached from
sea ports. Believing that it is no more than a few thousand leagues from
the coast of one empire to another, he takes his case before various
princes in order to gain the finances and ships needed for his
experiment. The king of Portugal laughs at this ridiculous notion, which
causes him to turn to the rulers of Spain, at the encouragement of a
Franciscan monk who tells him that Queen Isabella (Rachel Ward) is
particularly eager to spread Christianity to the far ends of the world.
His first interview with the queen and her husband, the doubtful King
Ferdinand (Tom Sellick), far from produces the desired results, but
Isabella thinks highly of his ambitions and gives him a small allowance
to live on while she and her husband continue the defeat of the Moors.
Shortly after the expulsion of the Islamic believers from Spain, it is
decided that the Jews too should leave, unless they agree to convert to
the true faith. Columbus is employed with a Jewish map maker, and the
man's departure from his homeland coincides with a second call to court.
This time, his excitement and promises of riches convince Isabella to
fit him with a fleet and whatever sailors he can find. Columbus cannot
locate enough men willing to risk their lives on a "fool's sailing" and
is forced to employ a few convicts, some of which have been bought off
by the Portuguese to sabotage the voyage at all costs. Leaving behind
his children and his mistress (Catharine Zeta-Jones), Columbus sets sail
for adventure, never realizing he is not making his way toward India at
all.
This film is hard to categorize in a review because it has both merits
and faults that seem to counteract one another. At times it is very good
and at times it is rather bad, but the biggest problem seems to be
miscasting. Perhaps I have seen the monarchy in too many modern roles,
but I had a lot of trouble accepting Ward as Isabella. Her passion for
faith and excitement over the sea voyage was right on target, but her
performance was not succinct enough to be believable. Sellick likewise
was rather a droll Ferdinand; he fit the costume well but there was no
depth to his character. Marlin Brando was also briefly involved as a
priest, but he was equally dull. The best roles were those of the
sailors, Columbus himself, and the absolutely gorgeous Zeta-Jones in an
early performance before her major stardom. The costuming is quite good
(although inept when it comes to Isabella's garments) and the passages
on the sea are believable. But as formerly stated, it ended far too
abruptly and left me feeling cheated, since Columbus' journey hardly
ended with his first return to Spain.
Unfortunately, this film also had an enormous amount of tribal nudity,
which I was not warned of nor aware of before I got to it. If it were
just once or twice, I might have ignored its impact on a formerly decent
film, but it seems like there is not a single shot on the islands
without more than one pair of bare breasts in it. The women run around
topless and the camera has no scruples about eyeing them. I don't care
if it is accurate or not, for the sake of making this suitable for
family viewing, they could have tied some material around the actress'
chests. The island sequence takes up about fourth of the last half of
the film, so there's no getting around it. Apart from that, there is
some violence (a man is brutally stabbed by his son; dead bodies are
strewn over the camp site after an Indian revolt; a shark attacks a body
buried at sea and blood spurts into the water; later, the shark drags a
man underwater), and there is an uncomfortably long scene of Columbus
kissing and undressing his mistress.
One thing the movie doesn't do is gloss over Columbus' faults, which
even might be judged as too severe by critics. He has a certain amount
of respect for the natives until he realizes that he will not have
mountains of gold to take back to Ferdinand; so he has his men remove
all the gold from the Indians, then forces six of them to return with
him to Spain. When they refuse to learn a Christian song (proof for
Isabella that they are being good missionaries), he has them shackled.
It also doesn't shy away from the horrible reality that Ferdinand and
Isabella ousted innumerous Jewish families from Spain in the name of
God. If nothing else, it gives you a tantalizing glimpse into history
that has not been tamed so as not to offend, but still it could have
done with a bit more consideration for its younger viewing audience.
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