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DR.
QUINN, MEDICINE WOMAN
SEASON ONE
REVIEWED BY
CHARITY BISHOP
Our rating: 4 out of 5
Because of: thematic elements
Rated:
I was all of
ten years old when this series first premiered, and every time I went to
my grandmother's house to watch it, I fell a little more in love -- with
the town, with the characters, and most of all, with the strength of its
women. While the DVD sets are ridiculously over-priced, they also
represent the hopes and dreams of a little girl who idolized Dr. Quinn
to the point of being determined to dream big.
With the death
of her father and the subsequent loss of most of their Boston patients,
Michaela Quinn (Jane Seymour) searches for a world in which female
physicians will be accepted. Her advertisement for a post leads her to
the small but ever growing town of Colorado Springs, where she expects a
warm welcome but is instead regarded with suspicion and distrust by most
of the locals. It seems that the telegram operator left the a off her
name, and the reverend assumed she was a man. The only person in town
who seems to take her seriously is Charlotte (Diane Ladd), who runs the
boarding house and is raising three rambunctious children on her own
after her worthless husband ran off with their money sock. Then there is
Sully (Joe Lando), a man of seemingly few words who offers to lease his
homestead to "Doctor Mike" for a reasonable price. Michaela is still
struggling to gain the trust of the townspeople when tragedy strikes,
leaving her to face a new kind of challenge: motherhood.
Most
doctors are not homemakers, and Michaela is no exception, which results
in a delightful blend of frustration and triumph as she attempts to care
for Matthew (Chad Allen), Colleen (Erika Flores), and Brian (Shawn
Toovey). Michaela is a strong figure and it's not hard to see why so
many young women, myself included, idolized her. Her heroism is what
holds the series together, along with the wonderful townspeople, made up
of characters you love despite their faults. I have rarely liked an
ensemble cast so well, but cannot help having a soft spot for crotchety
Loren Bray (Orson Bean), snide Jake Slicker (Jim Knobeloch) and even
bad-tempered Hank (William Shockley).
The first
season is not impressive for its flow so much as its spirit. It
introduced a new brand of western to television that sadly has not been
seen since, with just enough history and patriotism to make it good.
There are certain moments that modern ideals intrude in momentary
flashes, but they are not significant enough to slip into overt
preaching. Mistreatment of the Indians and the generally negative
depiction of the army is the worst of it, but the truth remains that
General Custer was hardly a humanitarian when it came to Indian affairs.
For the most part, the series is also quite clean, and there are not too
many episodes that I would hesitate in showing to children. There is a
saloon in town with prostitutes in residence, so there are various
references to their profession and its dangers. There is a reference to
Colleen having started her menstrual cycle for the first time. One
episode revolves around Michaela's concerns that Matthew might go too
far with his girlfriend ("Rite of Passage"). Michaela comes across a
naked man in an early episode; nothing is shown but the waist up.
Violence
is prevalent in all the episodes. There are gun fights and barroom
brawls. The worst of it is when Sully is beaten nearly to death. A man
is trampled by wild buffalo. Michaela is always stitching up wounds,
setting broken bones, or putting her operating table to use. There is
mild Indian spiritualism involved; Cloud Dancing and Sully reference
praying to "the spirits" for guidance. Matthew experiences odd visions
while on an Indian quest. There is an obvious sexual tension between
Michaela and Sully, which is used to the show's advantage, such as
forcing them to spend the night together under a tent in a storm, but
nothing inappropriate ever takes place.
One thing
worth mentioning are the impressive guest appearances, which include
John Schneider as a down-and-out cowboy, Jane Wyman as Michaela's stern
but likable mother, and Johnny Cash as a black-clad gunfighter. My
grandfather loved Johnny Cash, but this was the first time I ever saw
him "in person," and that image has stuck with me all the years since.
It's safe to say that Dr. Quinn colored my childhood and so there
is a great deal of nostalgia attached, but watching the series as an
adult has given me a renewed appreciation for its strengths. It has a
great deal of heart, and its messages about family and the strength of
community are as timeless as its humorous antics and tearful partings.
Do the young women in your life a favor and introduce them to Dr.
Quinn, Medicine Woman.
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