The
Edge of Love (2008)
Our rating:
2 out of 5
Rated: R
reviewed by Charity Bishop
Movies set during the second world war intrigue me.
It interests me to see how women handled the war
outside the front lines. The Edge of Love
is loosely based on a true story about a poet and
the unusual relationships in his life, but it comes
across as more of an introspective film that
contemplates the motivations behind selfish actions.
It is not a particularly memorable or even
recommendable production but does feature fine
performances and exquisite photography.
It is the height of the war and the beautiful Vera
Phillips (Keira Knightley) is drawing crowds in
underground nightclubs. A popular entertainer with a
beautiful voice, she is surprised but not displeased
to run into an old friend from her youth in Wales --
the poet Dylan Thomas (Matthew Rhys). Having come up to
London to escape the country for a short time and
pursue his muse, he has left his wife Caitlin
(Sienna Miller) behind, but conveniently neglects to
mention her to Vera. The truth comes out when his
wife turns up on his doorstep but surprisingly, it
does not take her long to get along famously with
his would-be mistress. Meanwhile, a young man named
William Killick (Cillian Murphy) attempts to gain Vera's
trust and affection but finds her disinterest
disconcerting. Vera is concerned that he will ship
out and die abroad and her heart will be broken.
In spite of her concerns on this front, Vera agrees
to marry him but when he is sent overseas to the
front lines, her close friendship with Dylan
threatens to transform into something more. The
result is a movie of semi-likable characters but it
is hard to really feel for any of them. Dylan
frequently sleeps around, supposedly in retaliation
against his wife, who is known for being
promiscuous. The pair of them are caught in an
abusive cycle of hatred and misbehavior in which
each one acts out in response to the other one's
most recent indiscretion. It's hard to like someone
like that. Vera was quite likable but ultimately
wavered and slept with Dylan. It's therefore
difficult in the end to believe she truly has any
feelings for her husband when he turns up, but I
liked the fact that she chose to love him in spite
of his emotional problems.
My feelings about this movie are unusual at best. At
the time, I found it rather dull and un-engaging but
it has stuck with me for awhile and so there may be
some small merit in it after all, if merely to
illustrate how best to ruin your marriage. There has
been some controversy over the friendship of Vera
and Caitlin as well. Some viewers have expressed
surprise at a "homosexual undertone" to their
behavior, but in all honesty I did not see it. The
fact that they take a bath together may raise some
eyebrows, but is not entirely unfathomable in
wartime and rations England. Caitlin does plant a
kiss on Vera's lips toward the end of the film in
"home movies" as a joke. They spend a lot of time
together talking and walking arm in arm, even
curling up under the covers together, but I never
got a weird vibe from it like I have in other
productions. (I might also mention that ClearPlay
removes some of these scenes.)
Obviously, the story revolves around adultery and
the consequences of it. It is not very inspiring and
at times even moderately depressing (William comes
home to wonder if his wife has cheated on him).
There are controversial topics present, such as
abortion. Vera expresses her horror at being
pregnant and Caitlin dismisses it as something she
could "get rid of." Later, Caitlin turns up pregnant
with someone's child apart from her husband and asks
Vera for the money to have it aborted. After a
conversation about whether the doctor can be
trusted, the girls run to the bank and that's the
last we hear of it. Dylan and Caitlin have frequent
extramarital affairs, mostly implied. There are
three sex scenes and some upper female nudity.
Profanities are moderate but there is some harsher
language and abuse of Jesus' name. Violence consists
of a man and woman in a pub engaging in a violent
slapping match. William accidentally hits his wife
across the jaw with a shotgun butt, leaving an ugly
bruise. A jealous husband sprays a home with
bullets, terrifying the occupants and dismissing the
fact that there is a screaming child present. There
is a huge amount of smoking as well.
The costuming, the musical score, and the
cinematography are all brilliant. The actors looked
and felt very natural for the time period and some
of their moments together were pure magic. I was
particularly impressed with Cillian Murphy, who
normally is seen as a villain and ends up being
empathetic here. Apart from the morality, there was
nothing really "wrong" with the film and yet it
means nothing to me. I suspect the reason is I never
found any of the characters particularly likable and
so failed to connect with them emotionally. For me,
that's a deal-breaker.