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THE
ENGLISH PATIENT
REVIEWED
BY CHARITY BISHOP
Our
rating: 2 out of 5 Because
of: sexual content, nudity, adultery, language
Rated:
One of the
most acclaimed motion pictures of all time and with an outstanding cast
including Ralph Fiennes, Juliette Binoche, Kristen Scott Thomas, William
Dafoe and Colin Firth, The English Patient is a captivating but
unfulfilling tale of adultery. This award-winning production (which took
home Best Picture, Best Supporting Actress, and Best Director) is set in
two separate times... the past and present, entwining the two through
captivating transitions. On a superficial level it's a good film.
Wonderful acting, a haunting storyline, and picturesque locations with a
sober conclusion. But from a Christian's perspective there's very little
to recommend... the film is rampant with adultery, sexual content and
implications, nudity and occasionally foul language. Its two and a half
hour running time seems even longer because of the slow-moving plot.
An airplane
flies across the sand plains of northern Africa with two passengers, the
pilot in the back and a woman in the front, her white scarf fluttering in
the wind. Ground forces fire on the unidentified aircraft and she plunges
to the ground, erupting into a fireball. The pilot is dragged from the
wreckage badly burned and in need of hospital attention. He's brought
into the care of Hana (Juliette Binoche), a nurse working along the front
lines as they pull out of the country. The world is engaged in war with
Germany, as the empire attempts to take over the world. The hospitals must
constantly be moved and transporting patients like the scarred, badly
burned "English Patient" becomes painful. Hana has seen much of
war and fears she is jinxed, for everyone she loves comes to a violent and
unexpected death. Her fiancée, a military captain, was blown to bits in
the last engagement, and one of her closest friends accidentally detonates
a land mine.
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A
seemingly happy married couple
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Wanting her
mysterious patient to have a peaceful final journey toward death, Hana
persuades the army to let her stay in an abandoned monastery and care for
him. She'll catch up with them once the patient has died. He's an unusual
man unable to remember his own name, much less where he came from or what
happened to cause the accident. But as Hana reaches out to him through her
own pain, the English Patient begins to remember. His name was Count
Laszlo de Almásy (Ralph Fiennes) and he was part of an archeological
group working in the African content. During one of their expeditions they
were joined by the group's most successful fundraisers, Geoffrey Clifton
(Colin Firth) and his wife Katherine (Kristen Scott Thomas). The only man
in the group not to have a woman waiting for him at home, Almásy took
offense at Katherine's presence in camp, believing the desert was no place
for a woman.
Geoffrey is
dispatched on political business abroad and Katherine agrees to remain
behind. A freak accident and a blinding sandstorm bring her and Almásy
together as friends. Their compatibility soon grows into something more,
leading to an impassioned affair beneath her husband's innocent,
unassuming nose. But obsession can lead to disaster, tearing them
emotionally apart and accumulating in a devastating choice which will
forever effect the people around them. While Almásy recalls the past, the
monastery has become the refuge of others. One of them is a professional
thief hired by the war department (William Dafoe), who believes he knows
the identity of the "English Patient"... and has a score to
settle with him. The other is a member of the local bomb squad who begins
to fall in love with Hana. The story moves rather slowly and isn't overly
complex, but has many memorable elements. Essentially what it boils down
to is lust and the resulting repercussions.
The most
curious aspect of The English Patient is its inability to explain
motivations. Katherine seems a happily married wife but is drawn to Almásy.
He starts out apparently hating women, avoiding her company, and trying to
get her removed from the camp; but we're never told why. Maybe he's trying
to avoid his own temptation but finally gives in. But he could also be a
seducer by nature. During one memorable scene between the lovers,
Katherine is dancing with him and remarks on his following her back to the
hotel. "Escort me by all means," she says lightly, "but
never follow. It seems predatory somehow." His lack of response,
as well as the intensity in his eyes, make both Katherine and the audience
wonder if "predatory" is not a good description. The involvement
of the thief is also slightly sketchy; you'll have to be keen to catch on
to his motivations.
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The
morning after a violent sandstorm
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The primary
problem with The English Patient is its explicit sex scenes. In truth
there is only one, but others are implied. Katherine beats on Almásy
as he tries to embrace her, but then gives in. The two kiss passionately,
he rips open her shirt, and they fall out of camera range. There's one
clothed but graphic sex scene in a closet. The most disappointing aspect
is the partial and full female nudity. (Katherine getting in and
out of a tub, laying uncovered in bed beside Almásy, etc.) It's implied Hana and Kip sleep together. There are also four f-words
(three of them said in a single scene), and several abuses of Jesus' name
as a man is having his thumb graphically sliced off. (We see the knife
blade come down and sever the limb with gruesome results.) There's some
mild domestic violence (a woman playfully punches a man several times
before they embrace); an airplane crashes, and a bomb goes off. A woman is
seen slightly bloodied up, apparently after being "interrogated"
by Germans. Almásy is scarred beyond the point of recognition. There's a mercy
killing by lethal injection.
What concerns
me is the actor's ability to make the audience empathize with Almásy and
Katherine. Adultery is never right in any circumstance and movies that glorify it are only a determent to morality. But we like these people
despite their wrong choices. Even if we don't understand them, we're still
touched by their torrid relationship. One of the final scenes in the
painted caves is a beautiful piece of filmmaking, where Almásy swears
he'll come back and fetch her. There is no happy ending but occasional
glimpses of light. The film has some truly beautiful sequences and light
humor but is completely ruined by nudity and sexual content. If you must
see it, see it edited.
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