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THE
GOOD GERMAN
REVIEWED
BY CHARITY BISHOP
Our
rating: 2 out of 5 Because
of: sexual content, foul language
Rated:
Black and
white movies remind me of my gran. She loved them. Sitting down with
whatever quilt she was working on and a Cary Grant movie was her favorite
way to spend an afternoon. It was because of her that I came to know so
many beloved actors. Jimmy Stewart. Cary Grant. Humphrey Bogart. Clark
Gable. Director Steven Soderbergh wanted to create an old-fashioned movie
like the ones I used to watch with her, but I know for a fact that my gran
would have come nowhere near this one.
With the war
over and Hitler dead, Berlin is desperately attempting to pull itself up
from the ashes. Invaded by Americans, most of the natives are either
returning to bombed-out homes or attempting to repress their German
ancestry. Some of the Americans, however, love the Germans, particularly
their beautiful women. One of them is Patrick Tully (Tobey Maguire), who
has been assigned as the driver for a New York journalist in town to cover
the aftermath. It has been a long time since Captain Geismer (George
Clooney) was in Berlin, but his memories of it remain as strong as the day
he left. Little does he know that he and his driver have something in
common -- the mysterious and beautiful Lena Brandt (Cate Blanchett). She
worked for him before the war, and is now involved with Tully, who treats
her as little more than property. Always out to make a buck or swindle
someone out of their hard earned rations, Tully begins to get suspicious
when he discovers that Geismer knows his old flame.
One
thing leads to another and a body surfaces in the river, leading Geismer
to stumble across a governmental conspiracy and cover-up that involves his
old flame. With Lena running from her life from brutal assassins, it is up
to Geismer to get to the bottom of the complicated affair before one, or
both of them, wind up dead. The result is quite a fascinating film, but it
is ultimately confusing and a little more obsessed with its
self-importance than making the viewer like its leading characters. One
thing I will say for it is that it had perfect casting. I have seen
Maquire play a lot of "good guy" roles, so it was an unexpected
twist to hate him as much as I did twenty minutes in. Blanchett is very
good as the secretive woman with much to hide, but Clooney is the best
thing about the production. His dramatic presence on screen is brilliant
in black and white, a Grant-esque force to be reckoned with.
It's just a
shame they didn't have a bit more restraint in the presentation. When I
watch a black and white movie, I want to be entertained and reminded of a
more innocent age. I do not want graphic scenes or language that my gran
would attribute to a "drunken sailor." Tainting a black and
white movie with such things, quite frankly, ruins the elegance and
classiness of the project. My mind's eye cannot see Cary Grant gussied up
in a gorgeous suit spouting the f-word every other sentence. Nor is it
accurate. I've never known a world war two veteran to talk like that.
There are more of them than I can count, often four or five in a single
patch of dialogue, most of it erupting from Tully's foul mouth. Abuse of
deity and other profanities intrude. There's one clothed sex scene, a
flashback to a rape, and implications of adultery. Characters are shot and
killed, or stabbed. A body turns up in the woods. A man punches a woman in
the stomach and knocks her to the floor. There's a brutal fistfight
between two men.
Restraint,
that's what the film needed more than such an impressive cast. It could
have been a fantastic film without being so openly offensive, because it
had a lot going for it and you rarely get a chance to see a world war two
drama anymore presented with such sincerity and class. But when I watch
something, I compare its merits to what my gran would have liked or
disliked about it, and this one is hard to like. I was so frustrated with
the content that I nearly turned it off halfway through, but stuck it out
just to see the conclusion. It has a nice twist at the end, and it'll take
me a long time to get that marvelous image of George Clooney in an
officer's uniform out of my mind, but overall it falls flat. You can see
as good of a story with less problematic areas in Casablanca...
one of my gran's favorites.
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