Two worlds waged war over her beauty, and she brought an empire to its knees. This enthralling television series takes us into the world of Helen of Troy, the woman "whose face launched a thousand ships." The story begins in the royal palace of Troy as a baby's first cries pierce the evening. The Queen has just given birth to her second child when her first, Cassandra, known for having visions and dreams, comes screaming into the room. "Kill him!" she cries. "Kill him! If he lives, Troy will burn!" Because she deemed the child male before even the doctors knew, her father (John Rhys-Davies) takes her words as truth. He orders the court council to take the baby boy to the tallest mountaintop and throw him off the cliffs. The man is unable to murder an innocent child and instead leaves him there. The child is found by a local goat farmer, who calls him Paris.

Many years later, Paris (Matthew Marsden) is a grown man who loathes the brutality of Troy and longs for a beautiful woman. He is visited in a vision by three of the goddesses, who offer him either riches beyond comparison, power above all other, or Aphrodite... beauty of the ages, found in the form of a neighboring kingdom's younger princess, Helen (Sienna Guillory). He sees her face, and she witnesses him in the waters of a costal village. Helen's older sister is being married to Agamemnon (Rufus Sewell), heir of yet another kingdom. When his eyes fall upon Helen, Agamemnon sees only great beauty. Aware of her increasing lure over men, Helen flees the courtyard and is kidnapped by vagabonds. Instead of harming her, the captors treat her like royalty. She comes to love her kidnapper just in time to see him perish at the hand of her brother, who is also fatally wounded. Her father calls her a curse upon all men who bear her company, and offers her willingly to any kingdom.

Paris has journeyed to Troy in order to fight in the games and win back the bull the king's captain of the guard has stolen as a prize. Cassandra (Emilia Fox) recognizes him as the child who should have perished long ago. His parents are overcome and welcome him into the palace, where he is groomed as heir to the throne. When Agamemnon's younger brother makes his claim on Helen, Paris is sent as an ambassador to discuss various land treaties. The same day she is paraded before his royal court, Paris arrives. They recognize one another from the vision they shared so many years before. Their friendship will become dangerous and ultimately lead all Roman kingdoms to war against Troy for the recovery of a queen and the defeat of an empire. Some are motivated by greed, others by lust, yet through it all the passion of Helen and Paris burns brightly. Taken at face value, this is a stunning network adaptation. The filming is more breathtaking than anything I've seen in Hollywood. They use unique camera angles and close-ups in order to build tension and imply great drama.

One of the finest moments is when Cassandra realizes that the young man fighting her younger brother (Daniel Lapaine) is the child she ordered should be executed. The acting is incredible... everyone reacts with great feeling and passion and are given a fantastic script to work with. Even if you know nothing of Troy, you immediately understand the motivations behind everyone's actions. The "casting of lots" for Helen, her kidnapping, even the fabled Trojan horse. With a fantastic cast behind it, the production team went all out to recreate a believable empire of splendor. Various palaces and courtyards are constructed in breathtaking beauty. Most of the computer animation cannot be told from the real thing. It's really quite lovely to watch and has a marvelous score.

I knew going in there was bound to be some sex and violence, but I didn't expect to be bombarded with blatant and subtle nudity. Many of Helen's outfits are sheer. She might as well be wearing nothing at all. She is forced to parade through her husband's council of men naked. There are many shots of rear nudity but they carefully obscure frontal. Even when she's not directly in the frame, at times her blurry shape is in the background. Swimming in the pool we briefly catch a glimpse of her breasts. Later she drops her gown and again we see backside nudity as she walks into the pool and lies in the arms of Paris. We see her bare side (her arm is wrapped around her breasts) again later, implying she's been forcibly used by a man. I had the bad feeling that ultimately Helen would be raped and was right. Agamemnon takes her by force after conquering Troy. It's not overly graphic but we know without a doubt what is happening. Her husband is forced to watch. Violence in the first half is limited, with a few people being stabbed and/or slammed with blunt objects. It becomes much more brutal in the concluding episode.

Hundreds of men are mowed down with arrows, and stabbed with the sword. Men go in for hand to hand combat, intending to "fight to the death." One character is skewered with a spear, then struck again in the chest by his adversary, who ties his body behind his chariot and drags it through the streets. Another is snuck up on and stabbed viciously numerous times. It's implied the king is murdered (we see men stabbing toward him in the background as the villain walks away). Enraged over an in-the-family murder, a woman pulls a knife on her husband and stabs him in the pool. The water turns red with blood, and she leaves his body floating upside-down as she walks away (from this angle we see far off backside nudity yet again). Thematic elements intrude. Agamemnon sacrifices his daughter on an alter to gain approval from the goddess of wind. (We don't see anything, merely hear her laughter cut off abruptly.) A woman murders her husband. There is much talk of gods and goddesses. Cassandra is given to wild fits and "visions" in which she foretells the future. The movie also has an unexpected and unusual ending. The battles are unimaginative and dull. The violence is often overdone. Nudity and a rape scene demoralize Helen. Even though she was forced into marriage, her relationship with Paris is still adulterous. After the credits roll, on reflection one wonders why they spent three and a half hours of their life investing in a film that has no defining moral.