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HELEN
OF TROY
REVIEWED
BY CHARITY BISHOP
Our
rating: 2 out of 5 Because
of: adultery, nudity
Rated:
Two
worlds waged war over her beauty, and she brought an
empire to its knees. This enthralling television
series takes us into the world of Helen of Troy, the
woman "whose face launched a thousand
ships." The story begins in the royal palace of
Troy as a baby's first cries pierce the evening. The
Queen has just given birth to her second child
when her first, Cassandra, known for having visions
and dreams, comes screaming into the room. "Kill
him!" she cries. "Kill him! If he lives,
Troy will burn!" Because she deemed the child
male before even the doctors knew, her father (John
Rhys-Davies) takes her words as truth. He orders the
court council to take the baby boy to the tallest
mountaintop and throw him off the cliffs. The man is unable to murder
an innocent child and instead leaves him there. The
child is found by a local goat farmer, who calls him
Paris.
Many
years later, Paris (Matthew Marsden)) is a grown man
who loathes the brutality of Troy and longs for a
beautiful woman. He is visited in a vision by three of
the goddesses, who offer him either riches beyond
comparison, power above all other, or Aphrodite...
beauty of the ages, found in the form of a neighboring
kingdom's younger princess, Helen (Sienna Guillory).
He sees her face, and she witnesses him in the waters
of a costal village. Helen's older sister is being
married to Agamemnon (Rufus Sewell), heir of yet
another kingdom. When his eyes fall upon Helen,
Agamemnon sees only great beauty. Aware of her
increasing lure over men, Helen flees the courtyard and is kidnapped by vagabonds. Instead of harming her,
the captors treat her like royalty. She comes to love
her kidnapper just in time to see him perish at the
hand of her brother, who is also fatally wounded. Her
father calls her a curse upon all men who bear her
company, and offers her willingly to any kingdom.
Paris has journeyed to Troy in order to
fight in the games and win back the bull the king's
captain of the guard has stolen as a prize. Cassandra
(Emilia Fox) recognizes him as the child who should
have perished long ago. His parents are overcome and
welcome him into the palace, where he is groomed as
heir to the throne. When Agamemnon's younger brother
makes his claim on Helen, Paris is sent as an ambassador
to discuss various land treaties. The same day she
is paraded before his royal court, Paris arrives. They
recognize one another from the vision they shared so many years before. Their friendship will become
dangerous and ultimately lead all Roman kingdoms to
war against Troy for the recovery of a queen and the
defeat of an empire. Some are motivated by greed,
others by lust, yet through it all the passion of
Helen and Paris burns brightly. Taken at face value,
this is a stunning network adaptation. The filming is
more breathtaking than anything I've seen in
Hollywood. They use unique camera angles and close-ups
in order to build tension and imply great drama.
One
of the finest moments is when Cassandra realizes that
the young man fighting her younger brother (Daniel
Lapaine) is the child she ordered should be executed. The
acting is incredible... everyone reacts with great
feeling and passion and are given a fantastic script
to work with. Even if you know nothing of Troy, you
immediately understand the motivations behind
everyone's actions. The "casting of lots"
for Helen, her kidnapping, even the fabled Trojan
horse. With a fantastic cast behind it, the production
team went all out to recreate a believable empire of
splendor. Various palaces and courtyards are
constructed in breathtaking beauty. Most of the
computer animation cannot be told from the real thing.
It's really quite lovely to watch and has a marvelous
score.
I knew going in there was bound to be some sex
and violence, but I didn't expect to be bombarded with
blatant and subtle nudity. Many of Helen's outfits are
sheer. She might as well be wearing nothing at all.
She is forced to parade
through her husband's council of men naked. There are
many shots of rear nudity but they carefully obscure
frontal. Even when she's not directly in the frame, at
times her blurry shape is in the background. Swimming
in the pool we briefly catch a glimpse of her breasts.
Later she drops her gown and again we see backside
nudity as she walks into the pool and lies in the arms
of Paris. We see her bare side (her arm is wrapped
around her breasts) again later, implying she's been
forcibly used by a man. I had the bad feeling that ultimately Helen would be
raped and was right. Agamemnon takes her by force
after conquering Troy. It's not overly graphic but we
know without a doubt what is happening. Her husband is
forced to watch. Violence in the
first half is limited, with a few people being stabbed
and/or slammed with blunt objects. It becomes much
more brutal in the concluding episode.
Hundreds of men
are mowed down with arrows, and stabbed with the
sword. Men go in for hand to hand combat, intending to
"fight to the death." One character is
skewered with a spear, then struck again in the chest
by his adversary, who ties his body behind his chariot
and drags it through the streets. Another is snuck up
on and stabbed viciously numerous times. It's implied
the king is murdered (we see men stabbing toward him
in the background as the villain walks away). Enraged
over an in-the-family murder, a woman pulls a knife on
her husband and stabs him in the pool. The water turns
red with blood, and she leaves his body floating
upside-down as she walks away (from this angle we see
far off backside nudity yet again). Thematic elements
intrude. Agamemnon sacrifices his daughter on an alter
to gain approval from the goddess of wind. (We don't
see anything, merely hear her laughter cut off
abruptly.) A woman murders her husband. There is
much talk of gods and goddesses. Cassandra is given to
wild fits and "visions" in which she
foretells the future. The movie also has an unexpected
and unusual ending. The battles are unimaginative and
dull. The violence is often overdone. Nudity and a
rape scene demoralize Helen. Even though she was
forced into marriage, her relationship with Paris is
still adulterous. After the credits roll, on
reflection one wonders why they spent three and a half
hours of their life investing in a film that has no
defining moral.
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