Legend
(1985)
Our rating: 3 out of 5
Rated: PG
reviewed by
Charity Bishop
Despite the cover art
being the most hideous piece of artwork I've ever seen,
Legend
is actually a monumental film, an epic fairy tale
exquisitely filmed with surprising depth. Each scene
contains something magical and stunning, be it a
fairy-infested forest with prancing unicorns or the dark
tones of hell. The film itself is a bit strange and has
a truly weird premise, yet there's something captivating
about it. Fairies, elves, gnomes, unicorns, and goblins
play out over a story of good triumphing over evil, and
the innocent love between two youths. In the beginning
of time, there was nothing... just an empty void of
darkness. When light was created, Darkness was forced to
retreat, only allowed to reign for a few hours every
day. The essence of this light comes from the eternal
balance between good and evil in the form of two
unicorns -- beings so pure that no mortal is allowed to
touch them.
Darkness (Tim Curry) desires to control the world and
sends his goblins out to capture and kill the unicorns and bring him
their severed horns. The only bait for these immortal beings, he says,
is in the form of a pure, innocent love. Lily (Mia Sara) is a princess
whose sole delight is in the forest, and her secret love -- a young
forest boy named Jack (Tom Cruise), who can speak with all the animals
and creatures of the wood. He has long promised to show her something so
beautiful it cannot be paralleled even in the far reaches of the
kingdom. So one fateful day he leads her into the heart of the glade
where the unicorns play. Captivated by their beauty, Lily commits a
mortal sin... she approaches and touches the male unicorn. The goblins,
who have tracked them through the wood, take their opportunity -- they
hit the unicorn with a poison dart.
Not understanding what she's done, Lily tries to
persuade Jack all will be well. The unicorns were merely startled. But
her world is about to shatter. Jack has gone in search of the ring Lily
flippantly tossed away, promising to marry whomever finds it. From the
moment he dives into the crystal waters, just as the unicorn's horn is
severed, the world becomes frosted over with ice. The goblins flee in
delight, using the horn to bewitch things along the way. Overhearing
their chortles over having used her for ill, Lily is determined to make
things right. In the meantime Jack has been found by the keeper of the
wood, a small elf-creature called Gump (David Bennent), along with his
two gnome-companions. With the help of a small fairy nymph called Oona
(Annabelle Lanyon), they must find Lily and protect the remaining
unicorn. There is only one way to restore light and balance the will of
good and evil; by defeating the Lord of Darkness.
From the gorgeous visuals to the haunting soundtrack,
Legend is a story only a few will like. It's darker elements are
captivating but also horrific in implication and the Satan-like form of
Darkness may run off younger audiences. The first scene of the film
shows us what we're in for -- creepy little goblins, a great horned
devil, and a black underworld. But then the movie progresses into the
light. This has to be the most stunning piece of filmmaking I've ever
seen. Every frame is flooded with light; eerily creeping down through
the trees to illuminate a blue-flowered path, droplets of water
splashing up off golden unicorn hooves. The main cast, with the
exception of an unrecognizable Tim Curry, are all children. Tom Cruise
is barely seventeen, Mia Sara is a beautiful fifteen year old, and David
Bennett at nineteen is an enthralling elf-guardian.
There are two versions of this film, and if you rent
the newly released DVD as I did you'll have both of them. The original
is the American version, which is almost a half hour shorter than the
European version. The longer is actually the more spellbinding, because
it adds little magical moments to bring out the sheer majesty and beauty
of the unicorns. It also contains some dialogue which makes later
revelations more clear in context. Content issues for both versions are
pretty much the same, but I should mention that the Making of Legend
included on the disk contains one use of the f-word. Actual content is
slight, limited more to grisly visual effects and some scary makeup than
anything overly gory. I'm not overly fond of skeletons and the
Underworld is full of them. A disgusting green "creature" leaps up out
of a lake and attacks Jack. Little people are tortured in the Underworld
kitchens.
Darkness is shot numerous times with arrows (which
protrude out of his neck and upper torso as he throws Jack around his
castle). Battle violence is present, as is a scene where Darkness
prepares to execute the last unicorn. Sexual content is almost
nonexistent, but there is some fuss made over kissing. Oona the fairy is
able to transform herself into larger form and in return for a favor
asks Jack to kiss her. (He refuses because his heart belongs to Lily.)
Lily and Jack share several romantic kisses in the woods. Fairies and
elves run around in short clothing; Jack wears a tunic and tights but no
pants. Darkness falls in lust for Lily and tries to "seduce" her to the
side of evil. He never touches her but she does come out of a trance
dressed immodestly in a gown with a neckline down to her waist. Three
mild profanities pop up, one of them used for humor purposes. ("You know
what I suggest?" "What?" "That we run like hell." "Good idea!") One
thing which is never cleared up is just who Darkness is. At first he
appears to be Satan but later he calls out for his "Father" (presumably
Satan) to save him. The ending of the American version also includes him
in the final montage of scenes, intimating there can be no light without
darkness, and no good without evil. It's a little confusing and might
discourage more conservative Christians from giving Legend
a chance to impress them with its transcending elements of darkness and
light.
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