MISS
POTTER
REVIEWED
BY RISSI C.
Our
rating: 5 out of 5
Rated:
Remembering
Beatrix Potter as the creator of one of my many storybooks and Peter
Rabbit, this film interested me. Probably even more so because of my love
of period films and the desire to see a new film. As I have pondered my
memories of the stories of Peter Rabbit, the most prominent remembrance is
watching an animated film dozens of times as a child. So many in fact,
that I can’t believe the tape is still in working order. Her mother
wished her to marry well, her father simply would give complementary words
about her drawings, but what did the most famous children author of all
time want?
Those
questions are answered in the surprisingly light Miss Potter. Thirty-two, unmarried and very imaginative Beatrix
Potter (Renee Zellweger) has been telling stories since she was ten years
of age. She’s been drawing since she was even younger. As a ten-year-old
girl Beatrix (Lucy Boyton) would often find all sorts of creatures at her
parents' summer home; rabbits, hedgehogs, mice and frogs that she would
then bring back to their London residence, who would became her sole
friends, companions and the inspiration for many of her drawings.
Beatrix's mother Helen (Barbara Flynn) is a lady of social standards who
has many dreams of her daughter meeting a wealthy man and marrying him.
Mr. Potter (Bill Patterson) was something of an artist as a young man and
therefore is a little more understanding of his daughter’s sketches and
scribbles. Taking her book The Tale
of Peter Rabbit around to publishers, Beatrix is pleasantly surprised
when the publishing company of Warne decides to take the book and print
it.
Warne
is a family company run by two brothers Harold (Anton Lesser) and Fruing
(David Bamber). Expecting that one of them will attend to her book,
Beatrix is surprised when their younger brother Norman (Ewan McGregor) is
sent instead. Having only recently joined the company, Norman finds
Beatrix’s tale very entertaining, as well as her sketches of little
rabbits utterly adorable. Taking on her book as his first project, he and
Beatrix work together on its completion, and soon find they share more
than one common interest. Beatrix soon meets Norman’s mother and sister
(Emily Watson), with whom she becomes best friends. But as her
publisher/author relationship with Norman grows into something more,
neither of them can deny the natural spark between them, or anticipate
what the future holds.
A
limited release always makes for a lesser known film and is therefore
often the misfortune of missing a beautiful story. Such is the case of Miss
Potter, which was in theatres just long enough to snatch a meager
audience before appearing a few months later on DVD. It is well worth
seeking out, since there is virtually no inappropriate content. There is a
brief passing remark that unmarried woman don’t have to suffer the pain
of childbirth (implying it's a positive), along with a playful but snide
comment that men are useful only for financial security and procreation.
Inviting Norman into her room to show him some of her paintings, Beatrix
quips that she can find better ways to ruin her reputation. The story
might not appeal to audiences under fifteen, because it does deal with
some serious thematic elements. It manages to be light, comical, and sad
all at the same time, since life rarely turns out as we plan. Renee
Zellweger shines in this, and I was particularly impressed that she
managed to pull off an authentic British accent. While watching the
making-of feature, the production crew said that Renee even spoke with her
accent between takes, which no doubt helped in her perfection. Everyone in
this cast is highly notable and was brilliant.
If
you, like me, are a lover of costume dramas, you will recognize many of
the actors from Lorna Doone, Wives & Daughters, and Pride
& Prejudice. That alone makes it worth seeing, but the film is so
much more. It speaks of an innocent time of life, of a woman who was not
distracted by the sorrows of reality but chose to paint a world for
children that would never be forgotten. Going into this not knowing
anything about Beatrix Potter’s personal life, it gave me a whole new
take on the woman behind Peter Rabbit. She was funny, creative and despite
her misgivings about marriage, longed for someone who could love her and
be loved in return. There is just a hint of animation thrown in, making
Beatrix’s beloved characters come to life. It was another thing I simply
loved; it was a very lovely
touch. Something that may confuse viewers is the flashbacks of Beatrix’s
childhood, but the transitions are quite clever.
This
is a fantastic, magical journey that isn’t without a few darker moments
before we end on a much happier feeling. A twist that normally ruins a
film to the point where I don’t care to see it again didn’t have the
same affect this time, because of the wonderful music, elegant costumes,
breathtaking scenery and fantastic conclusion. All of it gave the story
it’s imaginative tone and therefore wasn’t as saddening as could be.
Even if you aren’t familiar with Miss Potter’s works, this is a
wonderful journey to see unfold. With more than forty million copies of The
Tale of Peter Rabbit sold, Miss Beatrix Potter is one of the most
popular children’s authors in the world. Her books were translated into
many foreign languages. Once upon a time there were four little rabbits.
Their names were Flopsy, Mopsy, Cottontail, and Peter…