Ned
Kelly (2004)
Our rating: 2 out of 5
Rated: R
reviewed by Charity Bishop
It seemed like a good idea at the time. Team up two
foreign heartthrobs and the girls will flock to the
theatre in droves. Too bad it didn't work out
that way. A movie with a lot of potential that fails
to live up to it, Ned Kelly is a romanticized
look at one of Australia's most infamous outlaws.
Born to an Irish family long under the scrutiny of
the law, Ned Kelly (Heath Ledger) is accused of
stealing a postman's horse and thrown into jail for
three years, despite having not committed the crime.
While imprisoned his family are persecuted by local
corrupt authorities.
When Ned finally gets out of prison, he hooks up with his best friend Joe
Byrne (Orlando Bloom) and other youthful Irish rapscallions. Determined to
turn around the black mark on the family name, he takes a respectable
position on a local horse ranch as a hand, and gains the interest of the
owner's beautiful young English wife Julia (Naomi Watts). One evening
shortly before he's to be laid off, a wisecracking local lawman comes to the
house to take advantage of Ned's younger sister. They turn him out on his
ear while Ned is up at the stables getting acquainted with Julia. Infuriated
with his refusal, the lawman informs his friends in town that Ned Kelly
tried to kill him. To avoid arrest, Ned, Joe, and their future gang take to
the hills, only to learn that Ned's mother has been imprisoned for the
crime. Furious with the rampant prejudice against Irish families, the
notorious bad boys start taking revenge one step at a time, starting with
bank robbing and as their names become infamous throughout the territories,
the stakes get higher until Queen Victoria puts her foot down. She sends
lawman Frances Hare (Geoffrey Rush) to clean up the mess, but what he
doesn't realize is that these boys aren't loathed by those in the community
... most of the landowners would do anything to protect them!
Where the film fails is pacing. It delivers enough
in emotional backlash by the conclusion, in which
the viewer finds themselves weeping tears over the
fallen "heroes" of this story -- in truth rebellious
bank thieves who "had no choice" in the matter. It's
not a very flattering portrayal of Australian
officials during the 1800's and implies that all
lawmen are scum. Given that we're siding with
villains this is understandable but as a result all
of the opposing individuals are completely
one-sided. They're scoundrels but we don't know why.
In addition the screenplay is very poorly written in
many respects. If you still don't know who is who,
or whether or not Julia is the man's wife or his
sister, niece, cousin, etc., within the first half
hour, it's difficult to sort out names and faces
afterward. A more carefully constructed plot would
have benefited it a great deal, but when the movie
does succeed it's very impacting and dramatic. No
doubt fans of the cast will appreciate it just for
the reason of seeing a crop of very talented actors
play off one another.
One of the most disturbing things about this film is
its morbid fascination with death. It's not enough
to see men gunned down in cold blood just because
they're lawmen and happened to camp in the wrong
part of the woods, we also have to see animals
killed. A horse is slain so that the starving
outlaws might drink its blood (in a grotesque dark
sequence). A hawk picks at the entrails of a rabbit.
Wild boars are shown roasted and steaming after a
forest fire. Blood drips from a cage where the still
form of a lion lies. A monkey is picked off by a
bullet in a crossfire. Numerous people are shot and
killed, sometimes in the head with gory results. Men
brawl in a boxing match and come to a fistfight.
Kelly shoots a lawman that he knows, the man is
badly wounded and choking on his own blood. Rather
than let him suffer, Kelly kills him. Two of the
gang members commit suicide rather than be burned
alive. Joe is forced to murder his best friend for
betrayal.
There's no outright sexual content but a lot of
implied liaisons. Joe is a ladies' man. He comes on
to married banker's wife after being told to keep an
eye on her while she changes into more suitable
attire. They passionately kiss. He asks a Chinese
girl to help sponge off his back during a bath.
Julia and Ned kiss in the barn and then start
tearing at each other's clothes. She's seen
buttoning up her bodice after their adulterous
tryst. (She later has a chance to clear his name by
giving him an alibi and refuses.) One of Joe's
friends likes to bed women. He hints at having a
thirteen year old girl in his cabin. Later the
police arrest him, tearing the sheets off the bed
and revealing his nude girlfriend. (There's also
brief side nudity on him.) I also found the language
extremely offensive. While profanities are minor,
these ardent Catholic boys abuse Jesus' name at
least nine times. It seems rather contrite when,
after blaspheming, Ned then says the blessing over
supper. The first time Ned meets Julia, she's
helping a stallion out of his bladder problem. Ned
has to hold the horse's "thing" while she jams an
iron rod up it.
Ned Kelly could have been very touching but
instead it sold out cheap for foul language, implied
adultery, and gruesome shots of animal brutality.
This film is better left on the shelf.