One
Night With the King (2006)
Our rating: 5 out of 5
Rated: PG
reviewed by Charity Bishop
One of my favorite stories as a child was that of Esther, the courageous
Jewish woman who lived every woman's secret dream... to be taken from
obscurity and made a queen of the realm. It was no simple story, for God
had intended for her to be put in place for a particular reason. I have
often wished that someone would transform this miraculous story into a
feature film worthy of praise. Well, someone finally has.
The kingdom of Persia lies beneath the threat of impending war, but
unaffected by the decisions of monarchs and princes are the lower class.
Hadassah (Tiffany Dupont) is a witty, carefree young woman whose sole
desire is to travel to Jerusalem, the land of her fathers. This long is
taken every year with the caravans that pass through the magnificent
city for trade, and her uncle Mordecai (John Rhys-Davies) has promised
that one day she may go. Reluctant to let her go on her own, and
unwilling to relinquish his position as a scribe in the king's court,
Mordecai can no longer turn down her pleas and agrees that she might go,
along with her friend Jesse (Jonah Lotan). Little does he realize that
the court of King Xerxes (Luke Goss) is torn with strife and turmoil.
Despite knowing that his wife is against the impending battle, the king
demands her presence at his banquet.
When Queen Vashti refuses, the king's council Prince Admantha (John
Noble) seeks to use her disobedience to his own advantage. Encouraging
the king to disown his wife and choose another more worthy woman, he
hopes to influence the outcome and hold power in the monarchy. The
youngest, most beautiful single women of the realm are removed from
their homes and families and taken to the palace, Hadassah among them.
Concerned her heritage might place her life in peril, Mordecai
encourages Hadassah to embrace the customs of her newfound life.
"Esther" humbly asks for the guidance of the head eunuch (Tommy Lister)
in how best to impress the king, never fathoming that her childish
yearnings for greatness are about to come true... There is such a wealth
of rich storytelling potential in this scripture passage that I am
surprised it has never been explored before, but other recent attempts
through television miniseries and specials have nothing in comparison to
this exquisitely lavish production.
Christian films have been until now poorly written, badly acted, and cheap
in appearance, but
One Night With the King dispels all of earlier notions and can
compete with the best in secular Hollywood. The costumes are breathtaking.
The computer-generated images of Persia are completely realistic. The acting
is fabulous, and while the appearances of certain characters do take a
little getting used to, the fact remains that it all stands on a very strong
script. The best of the novel has been translated to the big screen, with as
much drama, potential scandal, and romance as is possible in a two hour
film. They did skimp on certain details but overall the story is rich in
flavor and true to history. My single complaint would be that at times it is
difficult to follow the labyrinth of subplots, particularly those revolving
around Prince Admantha. I felt a little lost on several occasions. But apart
from that, there's nothing inappropriate or unworthy in the film. The most
beautiful women in Persia are sent into the king, but he is never shown
becoming intimate with any of them. Hadassah's own visit with him consists
of nothing more than heart-felt conversation. There is one passing remark
about the loss of manhood, and a mild undercurrent of disappointment in
Jesse, who has been kidnapped and forced to become a eunuch, that he can
never love a woman again, or have with Hadassah what he hoped.
There is some implied violence but none of it is graphic, and numerous
beautiful scenes. One of my favorites comes near the end of the film,
and consists of a woman running through the rain. It's a wonderful film,
and should be seen not just in support of what it stands for, but for
the worth of itself.
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