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ROBIN
HOOD: PRINCE OF THIEVES
REVIEWED
BY CHARITY BISHOP
Our
rating: 3 out of 5 Because
of: sexual content, violence, gore
Rated:
There have been many retellings of the classic story of Robin Hood and his Merry
Men but none perhaps so tongue in cheek as The Prince of Thieves. With
an all-star cast of upstarts including Kevin Costner, Alan Rickman, Christian
Slater, and Morgan Freeman, it's impossible to take this version seriously, nor
is it likely you'll write it off altogether as satire. While being loads of fun
in its awkward moments, it still manages to be gut-wrenching and romantic...
quite an achievement when you consider the inane plot.
King Richard
has lead a group of men to the Crusades in Israel, where his men have been
captured by Israel's "barbarians." Among them is Robert of
Locksley (Kevin Costner). In a daring escape tactic, Robin is freed with the assistance of
a native, Azeem (Morgan Freeman), who swears his allegiance until he has saved Robin's life
in return for his own. They set sail for England, where the country is
under the rule of the notorious villain, the Sheriff of Nottingham.
Seizing the nobility's lands and property under false pretenses, and
leaving devastation in his wake, the evil Sheriff (played over-the-top by
Rickman) has his eye on the beautiful Maid Marian (Mary Elizabeth
Mastrantonio). When Robin
returns to find his family home in shambles, his beloved servant blinded,
and his father's corpse on display, he vows to avenge the wrong done to
the people of Sherwood. Along with Azeem he stumbles into the lair of
Sherwood forest, where all those who oppose the Sheriff have been forced
to flee for their lives.
A group of farmers, they have little skill with
the bow or blade... something Robin intends to change. In the meantime,
the Sheriff's old crone, a witch, has predicted Richard will return, and
the kingdom will fall under their hand. Through
the labyrinth of interesting characters, abundance of satire, tongue in
cheek humor, and more than a few good swordfights, The Prince of
Thieves can't quite make up its mind whether it's supposed to be
totally off the cuff or partly serious. With the sheriff shrieking "I'll
cut his heart out with a spoon!" (why a spoon? "Because
it's dull, you twit! It'll HURT MORE!!") or throwing comical
little fits only for the witch to respond innocently, "Is
something bothering you, my lord?" we feel it's a comedy act. Yet
with deaths in the families of the main characters, more than one
harrowing escape, and a number of close shaves, it has the feel of a more
serious medieval drama.
I originally
rented this a number of years ago but couldn't get through the first few minutes of film -- in which a surprising amount of violence is
portrayed
and two people have their hands chopped off. Thus said, I still didn't
enjoy it entirely even after getting all the way through. The humor is
there, true, but something is lacking. Perhaps it needs to be either more
serious or give up trying entirely. As other reviewers have noted in the
past, Alan Rickman is the movie. Pity he has only limited screen time
and... of course, dies at the end. Watching him chew his fingernails in
boredom during the siege of Sherwood forest was worth the time spent
observing the bloody battle itself. Not to mention the ending
swordfight... or the death of his noble cousin. In disposing of someone
close to him, he observes, "At least I didn't use a spoon!"
The
romance starts off rocky but then improves and by the end we're glad to
see Marian and Robin together at last. Marian does the proper amount of
screaming and protesting as the sheriff shoves her around the castle, but
also can handle a mean blade. Morgan
Freeman makes a humorous but also likable Azeem, who rescues Robin
"when he feels like it." But Kevin Costnar is lacking; I can't
put my finger on what (aside from no British accent whatsoever), but
something's rather flat in his performance.
From a
strictly critical viewpoint, this film isn't suitable for family viewing
without the use of the fast-forward -- and occasionally the mute --
button. The violent beginning is only a taste of action to come when men
are mowed down by arrows, impaled with swords, and knifed with daggers.
They're also hit with flaming arrows. Women and
children are roughed up. A hanging nearly looses Robin twelve of his men,
in which we see a little boy among those dangling from the rope -- gasping
and struggling for breath. The old witch gets her just end after being run
through with a lance (which she presumably pulls out herself). She once
cuts open her wrist and predicts the future with blood... and spit. Some bawdy
remarks and a couple of gestures make their way into the dialogue. When
Marian is arrested, one of the guards pins her to the table and makes a
remark about looking inside her dress. This scene falls by the wayside
with a forced wedding -- after commenting on how Marian will be immediately
with child, the witch forces the priest to perform a wedding ceremony
while the sheriff wrestles his unwilling bride to the floor, preparing to immediately
consummate the marriage. Humor permeates this scene, horrifying as it
may be, before they're interrupted. Brief, obscured backside nudity is
observed. Numerous uses of "b*stard" filter through the script,
along with British slang and one f-word.
Sometimes
funny but generally violent and mildly offensive, I'm not sure The
Prince of Thieves should be welcomed too readily.
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