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THE
SIGN OF FOUR
REVIEWED
BY CHARITY BISHOP
Our
rating: 4 out of 5 Because
of: violence
Rated:
There
have been many adaptations of The Sign of Four. Aside from
The
Hound of the Baskervilles, it is one of Doyle's most highly
respected works. No adaptation follows implicitly, but this film
does well at blending notable passages and dialogue from the book in
with adventurous romps through London, and even to a carnival where
death seems the main feature. Unlike other adaptations, rather than
attempting to solve the case ourselves, we watch the villain at work
and follow along as Holmes attempts to piece together the sparse
clues.
On
a cold and wet winter night in London a gray-haired older gentlemen
dines with his two sons. Grievously ill and on the brink of collapse, he has
brought them together to reveal a secret that must not be taken with
him to the grave. While employed in Her Majesty's army in his youth,
he and another man, Captain Morstan, came into the possession of a
vast fortune in jewels. Responsible for the death of Morstan in a
violent temper, he desires the man's daughter Mary (Cherie Lunghi) to have her
rightful third of the treasure. Having glimpse a horrendous face leering in
at him from the window, the old man is struck by a violent fit,
barely able to whisper where the jewels have been kept these many
long years. The brothers, Thaddeus and Bartholomew, share opposite
points of view: Bartholomew is in favor of diving the plunder in
half and living comfortably, but Thaddeus believes Mary
deserves her third.
When they return from the attic bearing the
plunder, their father is dead of a heart attack. And on his chest lies a message with
'the sign of four' written on it. Sherlock
Holmes (Ian Richardson) is working tirelessly in London on a monograph that reveals
the identifiable differences in cigar ash. He is delighted when
a case is presented to him. A lovely young woman named Mary
Morstan has come seeking his aid, for she has been sent anonymously
an extremely valuable jewel, and a request to bring herself and two
friends to a meeting place the following day. Fascinated by the
curious elements of the case, Holmes agrees... and strikes out upon
one of his most chilling cases.
Although
the film takes great liberties in making the storyline unique and
exciting, it still manages to convey the very heart of what Doyle
intended. Unless you're a die-hard fan of the books, you won't mind
some of the alterations which include a hair-raising climax in a
carnival and turning Tonga, the little native, into a savage with a
thirst for blood. Richardson is an excellent Holmes; he portrays him
with just the right amount of light humor and intelligence to make
him enthralling even while in the background. He and David Healey, who plays Watson, manage to keep away from the clichés
that trip up many other adaptations. Holmes does appear in his
deerstalker and cape, but it's not overdone.
He also does an
excellent job of reacting. When Mary clings to him after a
particularly jarring series of events, the uncomfortable Holmes
untangles himself and insists on not making a fuss. ("I'm quite
all right! Please, pull yourself together, Miss Morstan!")
One scene I
happen to particularly like is when Inspector Layton is brought to the crime scene. Watching him brush off Holmes'
logical conclusions
while our favorite sleuth is attempting not to laugh or groan at his
absurdities is nothing less than delightful. I also appreciated witnessing the scene left out in many adaptations... the
thrilling chase of the Aurora on the Thames. True
to form, this film is not for children. While not as violent as the
second in the series, it does provide some moments of horror. Raw meat is thrown to
a cannibalistic native in a carnival freak show. Tonga shoots poisoned darts and once
bites a man on the neck, killing him. We witness several people
staggering around after being poisoned, two dead bodies, and a pre-ending scene that involves
a harrowing attack on Mary Morstan. There are also dark and gloomy
atmospheres, and an amusing ride through a carnival haunted house. The violence calls for caution when
showing to younger viewers but older ones the game's
afoot.
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