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TEXAS
RANGERS
REVIEWED
BY CHARITY BISHOP
Our
rating: 3 out of 5
Because
of: language, violence
Rated:
1867.
In the after-effects of the Civil War, Texas is a sleeping giant
falling prey to vicious marauding and theft by Mexican invaders.
The Rangers were disbanded to fight for the South; now they are to
be regrouped, with a former pastor turned lawman Leander McNelly
(Dylan McDermott) in the lead. This tall, slender, handsome cowboy whose family was
murdered in his absence is found digging himself a grave at his
homestead, certain that he won't last the winter due to his fight
with tuberculosis.
Persuaded by the government to undertake the
training and leadership of thirty rag-taggled, half-bit former
schoolboys, McNelly finds himself at odds, not only
with his own priorities and shaken faith, but his inability to
foresee possible ambushes. One
member of this poor crop of unshaven boys is Dunnison (James Van
Der Beek), whose
family was slaughtered by the Mexicans. Due to his writing
talents, he is chosen as McNelly's personal aid and undertakes
documenting all of the reports to Washington. With very little
time for training, the Rangers saddle up and ride off to meet
their fates in rounding up these rustlers. But when McNelly makes
a terrible miscalculation, his men are placed in danger, shot down
one by one until a retreat is forced upon them.
Prejudice,
poor shooting skills, and mistakes are the least of his problems.
There is also a traitor among them... a character who will
turncoat... and a violent climax in Mexico. As
a side plot, Dunnison vies for the attentions of Caroline (Rachael
Leigh Cook), a
well-to-do young woman who believes that the Rangers are little
more than killers themselves. "If you shoot or hang a man for
stealing beef," she says, "you are saying that his life
is worth that steer." To make things
worse, she's deeply attracted to his best friend and riding
partner, George. Also along for the ride is a kidnapped Spanish gypsy girl
and a young black man who is determined to prove himself worthy of
being a sharpshooter rather than a scout.
Texas
Rangers has a good heart and could have been a great
film. It's been a long time since there's been a truly excellent
western on the market -- not since Jimmy Stewart donned his white
hat and rode into the west. Sadly, this one will not fill the
void. The fact that the film was not pre-released for the press is
a dead giveaway that something is lacking. The production, which
was pushed back nearly two years for a quiet cinematic release,
was sneaked into theaters and will probably slip back out when the
nation is swept into Lord of the Rings mania.
The film had
great potential -- a reverend as a lawman? What would his inner
struggle and inner torments be? McNelly
does give us some bright moments -- such as his indecision over
whether or not to execute a young woman who has knowingly betrayed
them, and his obvious horror and self-doubt after a major mistake... but that is the extent of his character development. What made
him accept the job as a Ranger? Where did his personal faith
collide with his job? In addition, he seems almost to turn away
from God at times and evokes cruel, heartless punishment on the
captured Mexicans with his "take no prisoners" rule.
(Although he is redeemed by the end.) Dylan McDermott is very,
very good in his role; it's the fault of the script writers that
he wasn't given more of a challenge.
The
film is largely devoid of harsh objectionable content, if you can
overlook the violence (which is nearly impossible, seeing as it
makes up for the lack of plot). There's less than a dozen minor
profanities and no
sensuality or nudity, although a few innuendos pop up. The
violence is extreme and harsh, although never bloody or
particularly graphic. Lots of gunfights. It's actually nice that
filmmakers decided to go against new tradition and do the
"bang-bang-fall-down" routine instead of the graphic
slow-motion images and blood that tainted The
Patriot. Many of the Rangers are shot and/or killed, a few
people are hung, a woman is threatened at gunpoint.
The
film abounds with clever camera angles, gorgeous photography and
costuming, a stunning soundtrack, and truly unanticipated moments -- ambushes, traitors,
and clever banter. Sadly it is based more on gunfights and cheap
thrills than pliable emotional conflict. Characters are
under-developed; we hope they don't get killed but don't really
have a reason why. The female leads in particular are too
overlooked, the actresses unable to exhibit their full potential.
What this film desperately needed was a side plot or a stronger
main plot to draw from -- more emotion, less coldness.
Perhaps a
stronger romance; more background information, and a little more
insight into McNelly's personal struggle between his Christian
faith and values and the dirty job that he's been asked to do
might have done the trick. Too many characters
are left in the lurch, their personalities trailing off as if the
writer didn't know what to do with them. I came away sorry for the
under-development and violence, but more than willing to watch it again. If you like the tradition of old westerns, Texas
Rangers fits the bill. But if you shy away from nonstop
violence and cheap character development, you may want to pass
this one over. It has a lot of
potential... but is just a little too slow on the draw.
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