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The
Artist (2011)
Reviewer: Charity Bishop
Do you need words in order to communicate? In the early age
of film, you didn't. It was all about speaking to the
audience through reactions, facial expressions, and pure
soul. The Artist revisits the era of silent film in
a wholly unique way... through a black and white, silent
film.
In the 1920's, George Valentin (Jean Dujardin) is
hot stuff. He and his little dog are the stars of
cinema, in an era in which humor and comedic prowess
are highly valued. He is also a heart-stopping
looker, something his wife resents a bit,
particularly when he literally bumps into a girl
outside the theater, and is photographed with her.
The headlines scream "Who Is This Girl?" She is, in
fact, Peppy Miller (Bérénice Bejo), an aspiring
actress. Her brilliant smile, long legs, and ability
to dance earn her a bit part in George's next new
movie.
Sparks fly. Smiles are exchanged. Even the dog
senses the chemistry. But then, something new
crashes into George's world... talking pictures. His
life is about to change forever, in ways he never
anticipated.
This film won five Oscars, including Best Picture.
To be honest, I find that a little... odd. I can see
the appeal in this production purely for its
novelty, but is it really that innovative to revert
back to the silent era of pictures? I don't think
so. Having said that, I will say that for what it
is, it is well done. At first, you miss
conversation, and later you realize how little was
actually expressed through dialogue (believe it or
not, there aren't very many of those "talking" cards
inserted), but somewhere along the way you get swept
up into it as purely an art form. You realize that
you don't really need dialogue all the time to
express what is in the heart. Just as much, and
maybe more, can be said through a glance, a
smile, even interaction with a dog. It is
beautifully done. Some of the scenes, such as Peppy
flirting with a coat on a stand, are downright
charming.
But... to be honest, by the end I was relieved to
hear sounds other than musical overtures. Everything
is beautiful. The costuming, the set design, and it
is lovely to see the cast act in silence. Yet, an
enormous chunk of the film is downright glum, and
more than a little depressing. Oh, there are the
antics of the dog to cheer us up, and it's
surprising how much we get wrapped up in the romance
of it all, but still... we did move on to "talking
pictures" for a reason. Content-wise,
there's not much to worry about. There are a few
profanities and a couple mild abuses of deity, more
if you can read lips. A woman flips someone off.
Thematic elements include a man considering suicide,
and a fire that nearly claims someone's life.
If you love old movies, you will enjoy this
immensely. The inclusion of sound is made all the
more poignant by the fact that it is used
sparingly... a clink of china, the tap-dancing of
feet... I knew what the end would be, and still
loved it. Give it a rent once, and stick it out at
least twenty minutes. You may be tempted to give up
on it at the offset, but you may be surprised how
enjoyable it is once you get into it. It was a fun
throwback to a much earlier time for me, but not
likely something that I will revisit with much
frequency.
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