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TRUE
WOMEN
REVIEWED
BY CHARITY BISHOP
Our
rating: 2 out of 5 Because
of: sexual
content
Rated:
Based
on the book by Janice Woods Windle about the women of
her family during the Civil War era, True Women
is both a homage to women throughout the ages and a
declaration of feminist independence. It's an
engrossing story about survival and hardship that also
manages to be touching, but does have an unhealthy
share of depressing elements. Worthwhile for older
viewers willing to navigate its flaws but hardly what
you'd choose for a light afternoon's watch. The story
begins on a Georgian plantation in the mid-eighteen
hundreds. Euphemia (Tina Majorino)
is the cousin and best friend of Georga (Rachael Leigh
Cook) and has been living with them since the death of
her mother. When her father has a heart attack and
dies coming to fetch her, she's sent to live with her
older sister Sarah (Dana Delany) in Texas. Her husband
Bartlett (Powers Boothe) is a Ranger. Their lives are
constantly in turmoil as the Indians attack
neighboring ranches and families. Georgia
has promised to write "Pheemy" every day,
but her life takes an unexpected turn. Noted as
remarkable for her beautiful dark features, she comes
to the understanding that her grandmother was an
Indian princess. In the south prejudice runs rampant
toward "half-breeds," and their plantation
is attacked and barn burned down by local racists. One
of their negro slaves has an Indian wife who is
cruelly murdered. Georgia's father wants to move them
to Texas and safety but her mother refuses to run. All
of this is poured out to Pheemy in a letter that never
reaches its destination. Both girls believe the other
has abandoned them and thus grow apart. Years later,
Pheemy (Annabeth Gish) and
Georgia (Angelina Jolie) will be brought back together
again. They will face the Civil War, births, deaths,
hardships, and trials. Each woman will leave her mark
on history and learn to embrace life as a "true
women of the west," through marriage, illness,
and difficulties... issues about slaves, the death of
children, and even the women's movement and the right
to vote. For
the most part this miniseries is breathtakingly
filmed, well-acted, and gorgeously produced with lots
of eye candy for the eager viewer. It's also
historically correct in the sense that it's not
one-sided. We see there are good and bad Indians
alike, that some men are honest and compassion and
others are cruel and unjust. The only imbalance comes
from the presence of a Yankee officer, who is
portrayed as a sexist pig and tries to molest the
ladies of the house. The characters are likable and
flawed, which makes them seem all the more realistic.
Pheemy deals with prejudice but learns to forgive.
Sarah survives despite incredible odds. The scene
where she fearlessly marches out into a group of
hostile Indians to rescue one of the girls is
outstanding. Georgia learns to repress her
independence and find enjoyment in motherhood. There's
a lot to like about the story and the women involved,
but unfortunately just like the novel, it does have
rough spots. Two scenes of sexual content pop up
unexpectedly, one of them with shadowed nudity. We see
Georgia's bare back as she gets up out of the tub. There
are many references to the marriage bed and making
love. Georgia questions why "so much pleasure
could cause so much pain" (in reference to the
hardships of childbearing). Twice overtures are made
to females... an Indian promises Sarah that if she
"comes to his bed," he will not harm the
other girls. The Yankee officer who takes over
Georgia's house lusts after her eldest daughter and
asks that she come to his bed. When Georgia refuses,
he attempts to rape her. She is shoved down onto the
bed and her blouse torn open before he collapses in a
coughing fit (he has consumption). Her daughter then
lures him into the barn with a veiled overture and he
takes off his coat while she unlaces her bodice.
Nothing more happens between them. One man is shot and
killed in cold blood; his murder is covered up by the
ladies. Men are killed in battle, shot with arrows,
whipped, and punched. A woman is graphically hanged
after her husband is killed. One minor character is
kidnapped by Indians and returns with her face badly
scarred; she alludes to sexual abuse while held
captive. There
are also many mild profanities, and some blasphemy.
Georgia calls God "a d*mn fool" for
plighting women with childbearing, but her husband reprimands
her on it. Questions are raised about whether or not
God is just in allowing men to suffer, but never
answered. Emotional issues involve the death of
children, a woman dying giving birth (a child
witnesses it), slavery, and cold blooded murder. Some
of their actions are justified given the nature of
their circumstances, but others are unforgivable. One
reviewer remarked that "there is a death every
five minutes," and this much is true. It's a very
bleak look at history. The story is essentially good
at its heart, both entertaining and revealing in the
sense that it gives us a glimpse of true women
fighting for what they believed. But the inclusion of
sexual content makes it unsuitable for family
viewing.
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