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VAN
HELSING
REVIEWED
BY CHARITY BISHOP
Our
rating: 3 out of 5 Because
of: gruesome transformations, violence, mild
innuendo
Rated:

FOR
BEST ORIGINAL SCORE.
Every
year there's a movie ten times more fun than the
rest of them. This position has been held in the past
by such blockbuster hits as Spider-Man
and Pirates of
the Caribbean. This time it's Van
Helsing, the biggest, most insanely enjoyable
romp since Jack Sparrow set out after Barbossa and his
crew of miscreants. In
the midst of a violent rainstorm, villagers storm the
castle of Dr. Frankenstein (Sam West). The scientist
has been robbing local graves in order to build a
creature. His project has been overseen by Count
Dracula (Richard Roxburgh), who secretly has
plans to use the monster to his own evil end. When the
spark of life is ignited, a furious quarrel between
Frankenstein and Dracula accumulates in ultimate
bloodshed.
One
year later Paris is tormented by the demented Dr.
Jeckyll, a psychopathic murderer. A paid assassin
named Gabriel Van Helsing (Hugh Jackman) has followed
him from London. He intends to take the man alive if
possible, but fails. This incites the people of Paris
into screaming murder. The general public are not
aware that such monsters exist. They do not believe
in such folklore as vampires, werewolves, and wild
beasts. The Roman Catholic Church intends to keep it
that way. Many years before, Van Helsing was found on
the church steps and raised in the name of God to rid
the world of evil. He
has no memory of the past, only a signet ring bearing
a flying serpent. The world calls him a murderer
since his victims return to their original state when
slain. His alliance with the church is kept a secret.
Rome intends to send him forth into the far
corners of Romania to hunt a legendary evil.
Dracula
haunts the Transylvania
countryside. His brides terrorize the locals. When
Dracula was first conceived of a murdered man, there was a pact made with
God for his destruction. The Valerious family was
sworn to end his life before the last of their kin
breathed a final breath, lest they spend eternity in Purgatory. All
have failed and only two survive. Van Helsing
and Carl, a good-natured priest (David Wenham) journey to the northern country to offer aid
to Anna Valerious (Kate Beckinsale). Her brother was
lost battling a werewolf, and only she stands between
Dracula and his ultimate triumph. If he can succeed in
slaying her, none will be able to withstand his
influence. They have
tried crosses, stakes, and holy water. Nothing impairs
the legendary fiend, nothing but the most shocking of
revelations... as Van Helsing is due to discover.
From
the first instant until the last mesmerizing shot, Van
Helsing keeps up nonstop action and running gags.
The humor was pretty much lost on the audience I was
with, but I found it extremely funny. It helps keep
the tone light for what could have been a very dark,
morbid movie. It deals with vampires, werewolves,
monsters, and other things that "go bump in the
night." Many scenes are played out to be
frightening. Even though I didn't like some of the
scenes that well, I was always having fun, and that's
what's important for a summer blockbuster. The script
isn't as brilliant as it could have been but holds up
well beneath smart acting. The action scenes are well put together,
flashing back and forth between various characters in
peril. What's also nice is that it avoids clichés and
doesn't get raunchy. Vampires by legend have certain
sexual connotations and while the movie mildly
explores this, it never becomes overt. I was also
pleased at the lack of innuendo and fooling around
between main characters. The entire cast is brilliant,
but David Wenham makes the movie. He totters around
in his floor-length habit cracking jokes, making the
most amusing of expressions, and generally showing the
audience how much fun he's having.
While
the film does have a few content issues, they are lighter than anticipated. There is some mild brief
language and abuse of deity. Christian audiences will be offended
that most of it comes from "Brother" Carl.
When Van Helsing chastises him for
"cursing," the monk says he's not yet a true
priest, only a friar, and can curse all he likes. He uses the same excuse for spending the night
with a pretty Transylvanian girl. The implication is
obvious but there's no actual content. Anna tangles
with Van Helsing and briefly winds up straddling him
on the ground. Dracula's brides all
show large amounts of cleavage. So does Anna at the
infamous masquerade (which consequently is one of the
best scenes in the film). There are a couple of mild
innuendos. When in flight vampire females appear nude
from a distance. It's the same as in X-Men
-- no graphic details but the illusion of nudity.
Dracula has three brides and conversation revolves
around their offspring, nasty little gargoyle-like
creatures. When attempting to seduce Anna into
becoming one of his wives, Dracula runs his hand up
her cleavage and onto her neck. His brides kiss and
caress him in one scene. One of them licks Anna's face
as she prepares to bite into her neck.
The movie is very violent with lots
of hand to hand combat, people being thrown through
walls, out windows, slammed over the head, attacked by
flying creatures and carried off, mauled by
werewolves, and bitten by vampires. One of Dracula's
brides is shown drinking blood from a goblet and
marveling over "the vintage" taste of a dead
villager. A man loses one arm, then is impaled
through the chest and falls to his death. Two
monsters attack one another, the stronger finally
biting the weaker in the neck, thus killing him. All
three "brides" come to untimely, gruesome
ends. One is shot with arrows dipped in "holy
water," which melt her wings; she returns to human form, then to ash as
her skeleton rapidly decomposes. Another is
graphically impaled by flying stakes after an
explosion; a third is gutted (implied). Whenever they
desire blood, their face contorts to reveal saliva-dripping fangs. Dracula becomes a winged
monster. Werewolves shed human skin in disgusting
transfigurations as they morph into beasts. Gargoyles
burst into green goo when impaled; Dracula's inhuman
servants are set ablaze.
There's also some controversial Christianity,
including whether or not one man's actions can redeem
lost souls from hell, talk of pacts with Satan
(Dracula was given eternal life by Lucifer), and
various emphasis on spiritual imagery. A cross burns
and melts when held by Dracula. Holy water manages to
vanquish one vampire. Salvation is based on works
rather than Christ, at least in this version of the
tale. If
the same grotesque imagery of the director's past
films (The Mummy) does
not bother you, and you can handle a story with a
hearty emphasis on vampires, Van Helsing is a
ton of fun. It's not going to win any original
screenplay awards, but it's fast, funny, and just the
kind of popcorn movie that you walk out of smiling.
Not only that, but Dracula is one of the coolest
cinematic villains to come along in ages. One might
even say thousands of years.
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