Van
Helsing (2004)
Our rating: 3 out of 5
Rated: PG13
reviewed by Charity Bishop

FOR BEST ORIGINAL SCORE.
Every year there's a movie ten times more fun than the rest of them. This
position has been held in the past by such blockbuster hits as Spider-Man
and Pirates of the Caribbean. This time it's
Van Helsing, the biggest, most insanely enjoyable romp since Jack Sparrow
set out after Barbossa and his crew of miscreants. In the midst of a violent
rainstorm, villagers storm the castle of Dr. Frankenstein (Sam West). The
scientist has been robbing local graves in order to build a creature. His
project has been overseen by Count Dracula (Richard Roxburgh), who secretly has
plans to use the monster to his own evil end. When the spark of life is ignited,
a furious quarrel between Frankenstein and Dracula accumulates in ultimate
bloodshed.
One year later Paris is tormented by the demented
Dr. Jeckyll, a psychopathic murderer. A paid
assassin named Gabriel Van Helsing (Hugh Jackman)
has followed him from London. He intends to take the
man alive if possible, but fails. This incites the
people of Paris into screaming murder. The general
public are not aware that such monsters exist. They
do not believe in such folklore as vampires,
werewolves, and wild beasts. The Roman Catholic
Church intends to keep it that way. Many years
before, Van Helsing was found on the church steps
and raised in the name of God to rid the world of
evil. He has no memory of the past, only a signet
ring bearing a flying serpent. The world calls him a
murderer since his victims return to their original
state when slain. His alliance with the church is
kept a secret. Rome intends to send him forth into
the far corners of Romania to hunt a legendary evil.
Dracula haunts the Transylvania countryside. His
brides terrorize the locals. When Dracula was first
conceived of a murdered man, there was a pact made
with God for his destruction. The Valerious family
was sworn to end his life before the last of their
kin breathed a final breath, lest they spend
eternity in Purgatory. All have failed and only two
survive. Van Helsing and Carl, a good-natured priest
(David Wenham) journey to the northern country to
offer aid to Anna Valerious (Kate Beckinsale). Her
brother was lost battling a werewolf, and only she
stands between Dracula and his ultimate triumph. If
he can succeed in slaying her, none will be able to
withstand his influence. They have tried crosses,
stakes, and holy water. Nothing impairs the
legendary fiend, nothing but the most shocking of
revelations... as Van Helsing is due to discover.
From the first instant until the last mesmerizing
shot, Van Helsing keeps up nonstop action and
running gags. The humor was pretty much lost on the
audience I was with, but I found it extremely funny.
It helps keep the tone light for what could have
been a very dark, morbid movie. It deals with
vampires, werewolves, monsters, and other things
that "go bump in the night." Many scenes are played
out to be frightening. Even though I didn't like
some of the scenes that well, I was always having
fun, and that's what's important for a summer
blockbuster. The script isn't as brilliant as it
could have been but holds up well beneath smart
acting. The action scenes are well put together,
flashing back and forth between various characters
in peril. What's also nice is that it avoids clichs
and doesn't get raunchy. Vampires by legend have
certain sexual connotations and while the movie
mildly explores this, it never becomes overt. I was
also pleased at the lack of innuendo and fooling
around between main characters. The entire cast is
brilliant, but David Wenham makes the movie. He
totters around in his floor-length habit cracking
jokes, making the most amusing of expressions, and
generally showing the audience how much fun he's
having.
While the film does have a few content issues, they
are lighter than anticipated. There is some mild
brief language and abuse of deity. Christian
audiences will be offended that most of it comes
from "Brother" Carl. When Van Helsing chastises him
for "cursing," the monk says he's not yet a true
priest, only a friar, and can curse all he likes. He
uses the same excuse for spending the night with a
pretty Transylvanian girl. The implication is
obvious but there's no actual content. Anna tangles
with Van Helsing and briefly winds up straddling him
on the ground. Dracula's brides all show large
amounts of cleavage. So does Anna at the infamous
masquerade (which consequently is one of the best
scenes in the film). There are a couple of mild
innuendos. When in flight vampire females appear
nude from
a distance. It's the same as in X-Men
-- no graphic details but the illusion of nudity.
Dracula has three brides and conversation revolves around their offspring,
nasty little gargoyle-like creatures. When attempting to seduce Anna into
becoming one of his wives, Dracula runs his hand up her cleavage and onto
her neck. His brides kiss and caress him in one scene. One of them licks
Anna's face as she prepares to bite into her neck.
The movie is very violent with lots of hand to hand
combat, people being thrown through walls, out
windows, slammed over the head, attacked by flying
creatures and carried off, mauled by werewolves, and
bitten by vampires. One of Dracula's brides is shown
drinking blood from a goblet and marveling over "the
vintage" taste of a dead villager. A man loses one
arm, then is impaled through the chest and falls to
his death. Two monsters attack one another, the
stronger finally biting the weaker in the neck, thus
killing him. All three "brides" come to untimely,
gruesome ends. One is shot with arrows dipped in
"holy water," which melt her wings; she returns to
human form, then to ash as her skeleton rapidly
decomposes. Another is graphically impaled by flying
stakes after an explosion; a third is gutted
(implied). Whenever they desire blood, their face
contorts to reveal saliva-dripping fangs. Dracula
becomes a winged monster. Werewolves shed human skin
in disgusting transfigurations as they morph into
beasts. Gargoyles burst into green goo when impaled;
Dracula's inhuman servants are set ablaze.
There's also some controversial Christianity,
including whether or not one man's actions can
redeem lost souls from hell, talk of pacts with
Satan (Dracula was given eternal life by Lucifer),
and various emphasis on spiritual imagery. A cross
burns and melts when held by Dracula. Holy water
manages to vanquish one vampire. Salvation is based
on works rather than Christ, at least in this
version of the tale. If the same grotesque imagery
of the director's past films (The Mummy) does
not bother you, and you can handle a story with a
hearty emphasis on vampires, Van Helsing is a
ton of fun. It's not going to win any original
screenplay awards, but it's fast, funny, and just
the kind of popcorn movie that you walk out of
smiling. Not only that, but Dracula is one of the
coolest cinematic villains to come along in ages.
One might even say thousands of years.
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